Curator Keith Christiansen explores the mixture of French and Italian painting styles that influenced artistic production in fifteenth-century Milan, and the impact of this cross-cultural approach on the work of Stefano da Verona.
As evidence, we have a notice written about 1420 by the outstanding scholar Uberto
sconces (54.147.20a–d, .21a–d), clock (58.75.127), pair of vases (56.80.1a, b,
Collar China 18th century Not on view This unusual collar is thought to have
Line: Gift of the artist and Patti Cadby Birch, 2002 Object Number: 2002.401a, b
Their intended arrangement may have closely followed the biblical order of the events
The Essential Art of African Textiles, Design Without End
body as apparel; and a series of the impressive voluminous robes and tunics that have
Sixty-two of the paltes have star shaped rivets known as hoshi, giving the name of
This is one of a very few works that may be attributed to Berlinghiero based on analogies of style with a Crucifix in the Museo di Villa Guinigi, Lucca, that is signed „Berlingherius me pinxit.“ The painter—a key figure in the history of Tuscan painting—was from Volterra and is first documented in 1228 together with his two sons Barone and Bonaventura, both of whom, together with a third son, Marco, also became painters
Edward B. Garrison.
historical paths by which the techniques and motifs employed in their creation have
historical paths by which the techniques and motifs employed in their creation have
into a category of headrest commonly found south of the Zambezi River that do not have
