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Ahmad ibn al-Suhrawardi al-Bakri – Opening Folio of the 26th Volume of the "Anonymous Baghdad Qur’an" – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/451015

Folio from the Anonymous Bagdad Qur’anThis illuminated folio and folio no. 55.44 come from different sections of one of the acknowledged masterpieces of calligraphy and book production in the Islamic world
Possible candidates have included Sultan Ghazan (r. 1295–1304); his successor,

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Ceramic Technology in the Seljuq Period: Stonepaste in Syria and Iran in the Twelfth and Early Thirteenth Centuries – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/stonepaste-12-century

Stonepaste production expanded significantly in the twelfth century, as witnessed by a substantial increase in production centers; advances in established techniques and the development of new ones, especially underglaze painting; a greater sophistication in decoration; and a more marked stylistic divergence between Syrian and Iranian productions.
Scholars have endeavored to locate this technological and artistic growth in the

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Jean-Baptiste Greuze – Princess Varvara Nikolaevna Gagarina (1762–1802) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436586

Varvara Nikolaevna was born on July 7, 1762. The daughter of Prince Nikolai Mikhailovich Golitsyn (1727–1787) and Princess Ekaterina Aleksandrovna Golovina (1728–1769), she married Prince Sergei Sergeyevich Gagarin (1745–1798)
Nikolaevna Golitsyna and her husband Prince Sergei Sergeyevich Gagarin seem to have

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