Dein Suchergebnis zum Thema: emotion

Drawing | National Gallery of Art

https://www.nga.gov/artworks/drawing

Nearly every artist makes drawings at some point. Some use them as a way of thinking, jotting ideas down as quickly as they occur. Such rough sketches can offer fascinating glimpses into the artist’s imagination or their process. Meanwhile, many artists make elaborate drawings as finished works.
Some artists explored the human form and emotions through portraits of loved ones

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Rafiq Bhatia and James Turrell’s “New Light� | National Gallery of Art

https://www.nga.gov/stories/sound-thoughts-art/rafiq-bhatia-and-james-turrells-new-light

Musician Rafiq Bhatia feels compelled to capture his improvisations—fleeting moments of sound—in recordings. Like sound, light is transient. But James Turrell’s works, which inspired Bhatia’s composition, contain and present light, allowing us to forge a deeper relationship with an ephemeral substance.
CELESTE HEADLEE: It occurs to me that we so often ascribe emotions to colors in the

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Nardo di Cione | National Gallery of Art

https://www.nga.gov/artists/1745-nardo-di-cione

Although his name occurs in documents for the first time in the years between 1346 and 1348, when he enrolled in the Arte dei Medici e Speziali (the Florentine guild to which painters also belonged),[1] Nardo, brother of the painters Andrea and Jacopo , was already considered one of the leading painters of his city by midcentury.[2] An artist whose paintings have been described as fragile, delicate, dreamy, or remote , characterized by a peculiar, “lyrical mood,�[3] Nardo must have been trained under the influence of such painters as Maso and Stefano. Of the few works by his hand cited in the documents, only the fragments of a cycle of frescoes in the Oratorio del Bigallo in Florence, commissioned in 1363, have survived, but it has been argued, probably correctly, that an image of the Madonna formerly in the Ufficio della Gabella dei Contratti, once signed and dated 1356, can be identified with the panel of the Madonna and Child with four saints now in the Brooklyn Museum in New York.[4] It is also certain that the painter made his will in May 1365 and that by the following year he was already reported dead.
in this cycle, men and women of proud mien but also capable of expressing deep emotions

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