Dein Suchergebnis zum Thema: emotion

Agnolo Gaddi | National Gallery of Art

https://www.nga.gov/artists/1327-agnolo-gaddi

Grandson of the painter Gaddo di Zanobi, and son of Taddeo Gaddi — disciple of Giotto and one of the leading exponents of Florentine painting in the mid-fourteenth century — Agnolo probably was trained in his father’s shop, and by 1369 he must already have emerged as a recognized master in his own right. In that year he received payments together with a group of artists including Giovanni da Milano, Giottino, and his own brother Giovanni (also a painter but one whose works have not survived) for the now lost decoration in the palace of Pope Urban V in the Vatican.[1] His earliest works, including the triptych dated 1375 now in the Galleria Nazionale in Parma and the fresco fragments in the former monastery of San Domenico del Maglio in Florence, executed according to the documents in 1376,[2] are characterized by harsh color and rather crowded compositions;
modeled now with greater softness and reveal the artist’s ability to express inner emotions

    Kategorien:
  • International
Seite melden

Bernardo Daddi | National Gallery of Art

https://www.nga.gov/artists/1204-bernardo-daddi

Son of Daddo di Simone, Bernardo is recorded for the first time in the registers of the Arte dei Medici e Speziali when he enrolled in the guild (which also included artists) between 1312 and 1320.[1] By this date he must have been a firmly established painter, as the reconstruction of his oeuvre also suggests; presumably, he had been born by the last decade of the thirteenth century, if not earlier.
scale reveal — albeit below a veil of modesty and discretion — strong emotions

    Kategorien:
  • International
Seite melden

Emilia di Spilimbergo by Titian, Gian Paolo Pace

https://www.nga.gov/artworks/1221-emilia-di-spilimbergo

A pair of portraits of Emilia di Spilimbergo and her younger sister Irene was begun in about 1558, most likely in anticipation of their prospective marriages. The initial reason may have been to present two highly eligible, aristocratic young women to potential husbands, or the portraits may have been intended as permanent mementos for the sisters’ family after they were married.
painted contemporaneously, the motif probably alludes to the turbulent state of her emotions

    Kategorien:
  • International
Seite melden