Dein Suchergebnis zum Thema: emotion

The Structure of Photographic Metaphors – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/the-structure-of-photographic-metaphors

While postwar street photographers on the East Coast were transforming documentary photography into a subjective experience of the contemporary world, photographers in other parts of the country were expanding the f/64 tradition to accommodate their own personal creative spirit.
observer, passive to what is before me, no matter how perceptive or how fast my emotions

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Zarina – Letters from Home – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/499719

Inscription: Inscribed (in ink, in image, center): a) Letters from HomeInscribed (in pencil, along bottom of image):b) 2/20 Letter from home I Zarina 2004c) 2/20 Letter from home II Zarina 2004d) 2/20 Letter from home III Zarina 2004e) 2/20 Letter from home IV Zarina 2004f) 2/20 Letter from home VI Zarina 2004g) 2/20 Letter from home VI Zarina 2004h) 2/20 Letter from home VII Zarina 2004i) 2/20 Letter from home VIII Zarina 2004Inscribed (in ink, in image, center):j) Letter from Home / A Portfolio of eight woodcuts and text by Zarina / Woodcuts and text printed in an edition of twenty / with two artist proofs / on Kozo paper and mounted on Somerset / Urdu text was printed from metal cuts of / original letters / This project was produced at the artists studio in / New York City
"A Bundle of Emotions: Relating to a Pandemic."

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Jan van Eyck – The Crucifixion; The Last Judgment – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436282

The Artist: For a biography of Jan van Eyck, see the Heilbrunn Timeline of Art History.The Paintings: In unusually tall, narrow paintings, the Crucifixion and Last Judgment emphasize the narrative features of these well-known biblical themes prophesied in Isaiah and related in the Gospels of Matthew, Mark, Luke, and John for the Crucifixion, and in Deuteronomy and the Book of Revelation for the Last Judgment
In The Crucifixion he evokes a remarkable range of emotions among the crowds, set

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The Crucifixion and Passion of Christ in Italian Painting – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/the-crucifixion-and-passion-of-christ-in-italian-painting

Formidable traditions governed the representation of the Crucifixion and other Passion scenes, and yet Italian painters continually renewed them through creative engagement with established conventions.
associated with Christ’s birth, the episodes of the Passion are colored by painful emotions

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