Dein Suchergebnis zum Thema: emotion

Two Sculptures in Deep Conversation at The Met Cloisters – The Metropolitan Museum of Art

https://www.metmuseum.org/perspectives/virgin-and-child-sculptures-met-cloisters-heavenly-bodies

Conservator Lucretia Kargère discusses two twelfth-century sculptures in the Museum’s collection that have been reunited at The Met Cloisters on the occasion of Heavenly Bodies: Fashion and the Catholic Imagination.
The Virgin’s face is implacable, tight-lipped, without emotion, and the features

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Violin Makers: Nicolò Amati (1596–1684) and Antonio Stradivari (1644–1737) – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/violin-makers-nicolo-amati-1596-1684-and-antonio-stradivari-1644-1737

The Amati workshop was one of the finest violin ateliers in Europe, training many apprentices who went on to careers as important instrument builders, possibly including the young Antonio Stradivari.
aesthetic emerged in western Europe, emphasizing the soloist’s ability to express emotion

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Work and Leisure: Eighteenth-Century Genre Painting in Korea – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/work-and-leisure-eighteenth-century-genre-painting-in-korea

Korean genre paintings, particularly from the eighteenth century, are esteemed for their candid, realistic representations of Joseon society and are considered by many as among the most “Korean” of all Korean art forms.
attention to each individual, providing him or her with a specific countenance and emotion

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Jean-Baptiste Greuze – Study of a Woman’s Head – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436583

Throughout the greater part of his career Greuze made what are referred to as either study heads or expressive heads, in French called têtes d’expression. He showed paintings of the kind at every biannual Salon in which he participated, that is, from 1755 through 1765 and in 1769
nineteenth or early twentieth century when expressions of this kind of highly wrought emotion

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Attributed to the New York Nessos Painter – Terracotta neck-amphora (storage jar) – Greek, Attic – Proto-Attic – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/248578

Richter, Gisela M. A. 1912. „Early Attic Vase.“ Bulletin of the Metropolitan Museum of Art, 7(4): pp. 68–71.Richter, Gisela M. A. 1917. Handbook of the Classical Collection. p
man—are not well integrated in this early representation, but the creature shows emotion

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