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‘‘Letter from Edward Renouf to Anny Schey von Koromla‘, Edward Renouf, recipient: Anny Schey von Koromla, 16 June 1930‘, Edward Renouf, recipient: Anny Schey von Koromla, 16 June 1930 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-200730-2-1-35-1/letter-from-edward-renouf-to-anny-schey-von-koromla

Schwaz 16 June 1930 Dear Baroness Schey! The car is ready. As I said on the telephone, all’s well here. I’m sorry Beate is showing her family such an unflattering side of herself – that she takes the presence of her siblings as an opportunity to spoil the atmosphere with her unfriendly moods. Since we’ve been alone she’s been neither unpleasant nor unreasonable. I’m stricter than I used to be. On several occasions I’ve had words with her about good manners, amiability in general, attentiveness, gratitude and so on. Although she took these reproaches badly (one could hardly expect otherwise), …
when she’s alone, whereas she flinches and squirms with pain if there’s anyone else

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‘‘Correspondence between J.P. Hodin and Ben Nicholson‘, collection owner: Dr J. P. Hodin, recipient: Dr J. P. Hodin, 1953–9‘, collection owner: Dr J. P. Hodin, recipient: Dr J. P. Hodin, 1953–9 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-20062-7-146-1/correspondence-between-j-p-hodin-and-ben-nicholson

In these letters Ben Nicholson supplies information on his life and work for Hodin’s monograph and various other articles and reviews. The year date of most letters has been deduced from contextual information.
106 Objects Marc Chagall 2 Objects Oskar Kokoschka 8 Objects Else

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‘‘Material relating to ‘The Psychography of an Artist: A depth-psychological Study of Oskar Kokoschka’‘, collection owner: Dr J. P. Hodin, 1940s–1970s‘, collection owner: Dr J. P. Hodin, 1940s–1970s – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-20062-7-105-6/hodin-material-relating-to-the-psychography-of-an-artist-a-depth-psychological-study-of

Contains material relating to the creation of Hodin’s collection of psychographic writings on Oskar Kokoschka. Hodin worked on this book intermittently from 1944-68, and this endeavour would result in a finished collection of essays which were, in Hodin’s own words, an ‚attempt to unite and to evaluate psychologically the „graphic“ elements of expression of a personality.‘ Scattered throughout the hundreds of files on individual artists within his archive, one may find numerous horoscopes and graphological analyses commissioned by Hodin as he saught to penetrate deeper into the ’secrets of the spirit‘ of his subjects. But here was Hodin’s first dedicated …
Psychography of an Artist: A depth-psychological Study of Oskar Kokoschka’ 8 Objects Else

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‘‘Letter from Edward Renouf to Anny Schey von Koromla‘, Edward Renouf, recipient: Anny Schey von Koromla, 9–12 October 1932‘, Edward Renouf, recipient: Anny Schey von Koromla, 9–12 October 1932 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-200730-2-1-35-47/letter-from-edward-renouf-to-anny-schey-von-koromla

New York, 9 October My dearest Annerl! Guess who’s just arrived, fresh from Europe, virtually fresh from our place!? The telephone rings last night; Heinzl goes over, incomprehensible English; he calls me over, incomprehensible German; finally in French: Pommerance! À demain matin, dix heures, American Express Company! So that’s where I’ve been this morning: greeting the beaming schoolboy with a hearty handshake – or should I say greeting the young rascal? For the only schoolboys who are ever this excited and enthusiastic, curious and carefree, so entirely in their element, are either young rascals or schoolboys on holiday. From the …
FEAR, which I’m hoping will be a huge success, even if I haven’t managed anything else

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‘‘Letter from Jacques Lipchitz to Pierre Dubaut‘, Jacques Lipchitz, recipient: Pierre-Olivier Dubaut, 31 October 1939‘, Jacques Lipchitz, recipient: Pierre-Olivier Dubaut, 31 October 1939 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-897-1-1-142-32/letter-from-jacques-lipchitz-to-pierre-dubaut

Full text (in translation): ‚Dear Friend, I was a little worried about your lack of news, but I didn’t want to interrogate you for the fear of hearing about some terrible illness. Your letter arrives at the right time to calm my mind. I can also see that we will struggle to make you a perfect farmer. I can also see that your comments about the place and its climate (‚cold‘ and ‚humid‘ two words that we can see repetitively in your letter) isn’t enticing enough to take pleasure there. Perhaps St.Paul Venee Caignes would suit you better but as …
What else could I have done?

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