Anni Albers 1899–1994 | Tate https://www.tate.org.uk/art/artists/anni-albers-3067
Artist page for Anni Albers (1899–1994)
Wikipedia entry Artist biography Anni Albers (1899–1994) was born Annelise Else
Meintest du essen?
Artist page for Anni Albers (1899–1994)
Wikipedia entry Artist biography Anni Albers (1899–1994) was born Annelise Else
These letters relate to Hodin’s work on Geerdts and include a quantity of photographs taken by Geerdts of some of his artwork, as well as a chronology of his life and career.
106 Objects Marc Chagall 2 Objects Oskar Kokoschka 8 Objects Else
You can use seashells, napkins, toy vehicles and anything else you no longer need
film interview Mike Nelson turner prize 2007
some degree but ultimately sort of my head doesn’t know that, my head is somewhere else
Contains typescripts for J.P. Hodin’s article ‚A Meeting with Marc Chagall‘ based on his 1949 trip to visit the artist at his home in Orgeval, France. An accompanying series of photographs taken at the time of the visit, show Hodin, Chagall and his then wife Virgina Haggard, as well as a host of unidentified persons.
‘A Meeting with Marc Chagall’ 2 Objects Oskar Kokoschka 8 Objects Else
Contains material relating to J.P. Hodin’s writings on Ben Nicholson (1894-1982).
106 Objects Marc Chagall 2 Objects Oskar Kokoschka 8 Objects Else
Schwaz 16 June 1930 Dear Baroness Schey! The car is ready. As I said on the telephone, all’s well here. I’m sorry Beate is showing her family such an unflattering side of herself – that she takes the presence of her siblings as an opportunity to spoil the atmosphere with her unfriendly moods. Since we’ve been alone she’s been neither unpleasant nor unreasonable. I’m stricter than I used to be. On several occasions I’ve had words with her about good manners, amiability in general, attentiveness, gratitude and so on. Although she took these reproaches badly (one could hardly expect otherwise), …
when she’s alone, whereas she flinches and squirms with pain if there’s anyone else
Full text (in translation): ‚Dear Friend, It’s already been two weeks since I left Paris, I haven’t done any work, I spent entire days resting and I can finally see the results. I’m still not in good shape and I can see time passing while I think of a lot of things without being able to appreciate what’s good here! The tranquility, the wilderness and all the steps in between, the absence of noises and the Metro etc. We are going to bed at 10 pm, it is marvelous! But the sea and nature don?t work with me, I could …
An exhibition by Degas at the Museum of the l’Orangerie, but nothing else.
Contains manuscripts, typescripts, notes, photographs, correspondence and source material for J.P. Hodin’s extensive writings on the artist Oskar Kokoschka (1886-1980). Hodin and Kokoschka first met in the early 1930s. The two became close friends and Hodin wrote numerous books and articles and became the leading expert on the life and work of his artist friend.
Psychography of an Artist: A depth-psychological Study of Oskar Kokoschka’ 8 Objects Else
New York, 9 October My dearest Annerl! Guess who’s just arrived, fresh from Europe, virtually fresh from our place!? The telephone rings last night; Heinzl goes over, incomprehensible English; he calls me over, incomprehensible German; finally in French: Pommerance! À demain matin, dix heures, American Express Company! So that’s where I’ve been this morning: greeting the beaming schoolboy with a hearty handshake – or should I say greeting the young rascal? For the only schoolboys who are ever this excited and enthusiastic, curious and carefree, so entirely in their element, are either young rascals or schoolboys on holiday. From the …
FEAR, which I’m hoping will be a huge success, even if I haven’t managed anything else