Meintest du essen?
It may have been applied by the artist or by someone else early in the painting’s
I do not think Agnew or anyone else is working at that business now.
Musician Daniel Ho spent much of his childhood on the water, so he relates to Thomas Cole’s river paintings. Ho responds to Voyage of Life with an original suite. Starting with simple harmonies to represent childhood, he gradually introduces complexity.
So there’s really nothing else I’ve ever aspired to be.
Ground Swell. [9] The accuracy and specificity of Hopper’s sky indicate, if nothing else
methods, Kent even went so far as to make the rather implausible claim that “nowhere else
Use your smartphone to explore a wide range of works through the voices of National Gallery of Art curators. Set your own pace by listening to as many stops as you like in the order you choose. Don’t forget to bring your headphones! To listen to information about a work of art, enter the stop number in the box below, select „go“, and press the play button when the stop appears.
But something else entirely has caught his attention – the skeleton entering the
Violinist Peter Sheppard Skærved and National Gallery director Kaywin Feldman discuss Hieronymus Bosch’s Death and the Miser and its symbolism of contrast: light and dark, life and death. Skærved plays a 17th-century violin sonatina that echoes similar contrasts of sensuality and fatality, beauty and mortality.
This episode of Sound Thoughts on Art is a little different from everything else
In an improvised musical conversation, jazz bassist Christian McBride introduces himself to David. Connecting over McBride’s walking bass line, they meet David’s friends, splash by the fire hydrant, play stickball. Through David, McBride recalls his own childlike innocence.
And they’re just as surprised as everyone else, like, wow, I didn’t think that was
Composer Daniel Bernard Roumain works with performance poet Lady Caress to respond to this iconic photograph with a combination of music and poetry. In the ebb and flow of his composition, DBR hopes to capture pain, legacy, enduring hope—and the rhythm of the subject’s life.
that contradicts the symbolism of freedom, and it makes it stand for something else
he no longer felt compelled to validate photography by comparing it to anything else
