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Hans Talhoffer’s Fight Book, a Sixteenth-Century Manuscript about the Art of Fighting – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/hans-talhoffers-fight-book-a-sixteenth-century-manuscript-about-the-art-of-fighting

Talhoffer specialized in a specific type of combat, and his work involves the whole process of battle, from the entry of the contestants into the field of combat, to the death of one of the participants.
manuscript in the Museum’s collection remain anonymous, and at this time nothing else

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Margareta Haverman – A Vase of Flowers – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436634?exhibitionId=%7Bf09f2f10-eee2-4ecb-8e2a-c6c9669ba1b2%7D&%3Boid=436634&%3Bpkgids=512

The Picture: A vase of flowers stands on a stone socle, its contents spilling forth from the surrounding alcove. Visible on the heavily shadowed vase, perhaps made of terracotta or gilt bronze, are the plump figure of a reclining putto, vegetable ornamentation, and a grotesque face
10-1693. [3] For an introduction to seventeenth-century Dutch women artists, see Els

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Unfinished Works in European Art, ca. 1500–1900 – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/unfinished-works-in-western-art

As early as the first century A.D., the Roman author Pliny the Elder acknowledged the appeal of unfinished works of art, stating that they are often more admired than those that are finished, because in them the artists’ actual thoughts are left visible.
Just like everything else that does not go according to plan, unfinished works often

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