Meintest du essen b?
Inscription: (central medallion (A), front, on scroll of Moses, center): SIC . ERIT . VITA . TVA . PENDENS / . ANE . N . CREDES . VITE . TVE (Thus your life will hang in the balance before [you], you will not be sure of your life [Deuteronomy 28:66])(central medallion (A), front, on upper left scroll): SICVT
Forsyth, William H., and Margaret B. Freeman.
Thomas B. Hess. "For Spacious Skies, and All That."
Donnan, Christopher B. Moche Portraits from Ancient Peru.
Pictures have always been required to live unobtrusively among furnishings of a period not their own, and frames have always been the vehicle enabling them to do so.
Contributors Laurence B.
Talhoffer specialized in a specific type of combat, and his work involves the whole process of battle, from the entry of the contestants into the field of combat, to the death of one of the participants.
context, including dagger (26.236, fols. 88v–89r; ( 26.145.15); ( 25.188.5a, b)
How did ancient Egyptians create dazzling paintings? Let’s explore the process, and then try making your own tools for painting!
The Metropolitan Museum of Art, New York, Rogers Fund, 1915 (15.2.2a, b) | Right:
Albert Elsen. Purposes of Art. 4th ed. [1st ed. 1962].
the artist’s brother, Theo van Gogh, Paris (1889–d. 1891; sent to him by the artist on September 28, 1889); his widow, Johanna van Gogh-Bonger, Amsterdam, in trust for their son, Vincent Willem van Gogh (1891–95; consigned by June 1895 to Lucien Moline (Galerie Laffitte), Paris; sold with six other paintings for fl
–B. de La Faille. "Vincent van Gogh."
Threads of identity.
Photo by Stephen Pitkin/Pitkin Studio Right: Loretta Pettway Bennett (American, b.
This composition, in which half-length figures of the three magi are viewed behind a fictive arcade, offering their gifts to the Christ Child—an event celebrated in the Church as the Feast of Epiphany (January 6)—conforms to the rising popularity in the Netherlands for close-up devotional paintings that put the viewer in a direct relationship with the event depicted
Harry B. Wehle. "Seventy-Five Years Ago."
