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Alfred Robaut, Paris (until 1899; sold on February 21 for Fr 6,000 to Durand-Ruel); [Durand-Ruel, Paris, 1899; stock no. 5026, as „Italienne“; sold on December 8, 1899 or January 25, 1900 to Durand-Ruel, New York]; [Durand-Ruel, New York, 1899/1900–1903; stock no
La Renaissance 12 (June 1929), p. 281, ill. p. 277, as "Italienne".
Paris, [1919], p. 238, ill. opp. p. 238, calls it "Portrait de Mme Cézanne,—Ã
The Painting: In his mid-fifties and at the height of his career, Paul Cézanne began a series of paintings, drawings, and watercolors of card players. The unprecedented repetition of the theme of card players and the monumental scale at which he chose to work in two of the later canvases demonstrate the significance of the project for him
Varnedoe and Thomas P.
Emile Gavet, Paris (until 1897) ; his sale, Galerie Georges Petit, Paris (May 9–June 9, 1897, no. 327) ; Paul Casimir Garnier, Paris (1897–1916) ; his sale, Hôtel Drouot, Paris (December 18–23, 1916, no
Paris: Lemercier & Cie., 1900. no. 48, p. 263. Migeon, Gaston.
Marking: Arms (central panel, left window): D’or au chevron de sable charge sur sa pointe d’une chaine de quatre chainons d’argent elle meme placee en chevron. For Ingelbrechts (Ingelbrechts or Ymbrechts) of Malines and Spain
Mann, 1967. p. 50. Pächt, Otto.
Paris, 1871. no. 41, p. 8, pl. 41. Chabeuf, Henri.
(p. 239). Neue Galerie New York.
New York: The Metropolitan Museum of Art, no. 3, p. 77.
The Metropolitan Museum of Art Bulletin 24 (3), p. 107.
The Artist: Together with Maso di Banco (for which see 43.98.13), Taddeo Gaddi was Giotto’s most celebrated pupil and assistant
Metropolitan Museum of Art Bulletin 12, part 2 (January 1954), p. 1, ill. p. 9.
