Part of a throne with deity on a bull – Urartian – Iron Age III – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/324105
New York: The Metropolitan Museum of Art, p. 26, fig. 38.
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Attributed to the C Painter – Terracotta kylix: Siana cup (drinking cup) – Greek, Attic – Archaic – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/246931
Until 1899, collection of Henry Hoffmann (1823-1897), Paris; May 1899, purchased by Henri de Morgan at the Hoffmann sale at Hôtel Drouot, Paris (lot 78); 1899-1901, collection of Henri de Morgan (1854-1909), Paris; acquired in 1901, purchased at the de Morgan sale at the American Art Galleries, New York (lot 67)
The Collection of Henry de Morgan. no. 366, p. 67. Fürtwangler, Adolf. 1913.
Part of the decoration design by Jean Cousin the Elder – Armor of Henry II, King of France (reigned 1547–59) – French, possibly Paris – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/24671
Henry II, King of France (until d. 1559); Carl August, Grand Duke of Saxe-Weimar-Eisenach, Residenzschloss, Weimar (by 1804–d. 1828); by descent to Wilhelm Ernst, Grand Duke of Saxe-Weimar-Eisenach, Residenzschloss, Weimar, later Schloss Heinrichau, Lower Silesia, Germany (now Henryków, Poland) (1901–d
The Connoisseur 105, no. 463 p. 123. Grancsay, Stephen V.
Attributed to the Painter of Bologna 228 – Fragment of a terracotta loutrophoros (ceremonial vase for water) – Greek, Attic – Classical – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/247950
Richter, Gisela M. A. and Lindsley F. Hall. 1936. Red-Figured Athenian Vases in the Metropolitan Museum of Art. no. 81, pp. 111–12, pls. 83, 84, 173, New Haven: Yale University Press.Richter, Gisela M
Attic Red-Figured Vases: A Survey. p. 92, fig. 32d, New Haven: Yale University Press
Drum (Teponaztli) – Mexica (Aztec) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/312583
Mexica (Aztec) artist to its continued use in the colonial period (Bravo, 2018, p.
Panel with Hunting Scenes – French – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/475488
The low relief carving on this ivory panel represents the progress of the hunt in three scenes. On the left, the chase begins as a hunter on a galloping horse blows his horn while his dog runs beside him and　court ladies watch from the parapets of the castle
Techener, 1840. p. 30, pl. XXIII. Hagen, Frederik.
Johann Friedrich Overbeck – The Banishment of Hagar – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/743039
Leipzig, 1846, vol. 1, p. 120, as the "Vertreibung der Hagar".
Bronze statue of an aristocratic boy – Roman – Augustan – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/248891
P. Triantaphyllos. Richter, Gisela M. A. 1915.
Charles Le Brun – The Jabach Family – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/626692
This magnificent painting by the leading painter of King Louis XIV (1638–1715)—the artist who supervised the decoration of the Louvre and Versailles and headed the Gobelins manufactory for tapestries and furniture—is a landmark in the history of French portraiture
Paris, 1997, p. 57, ill. p. 59, as private collection, Great Britain; dates it about
Antonio Vivarini – Saint Peter Martyr Healing the Leg of a Young Man – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/437909
The Artist: Antonio Vivarini was a member of a family documented on the island of Murano (Venice) and Padua from the second half of the fourteenth century. His father, Michele, and the founder of the family, „Vivarinus vitruarius,“ were both glassmakers
Art in America 26 (April 1938), p. 92, ill. p. 89. Harry B. Wehle.