Paddle Doll – Middle Kingdom – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/544216
.: The Metropolitan Museum of Art, p. 219, fig. 135. Posener, Georges 1959.
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Gaspar de Crayer – The Meeting of Alexander the Great and Diogenes – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436048
?prince Philippe François de Rubempré, Brussels (until 1766; sale, Brussels, April 11, 1765, no. 130, and—evidently the same picture—August 8, 1766, no. 36); ?duc d’Arenberg (until 1847; his sale, Brussels, October 4, 1847, no
Atlantic Monthly 29 (June 1872), p. 758 [reprinted in John L.
Vincent van Gogh – Self-Portrait with a Straw Hat (obverse: The Potato Peeler) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436532
Recent studies of Van Gogh’s canvas supports, undertaken by the Thread Count Automation Project in collaboration with the Van Gogh Museum, have used thread count and weave pattern to identify canvases cut from the same bolt
New York, 1995, p. 494, ill. Jan Hulsker.
God Horus Protecting King Nectanebo II – Late Period – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/544887
Purchased from Eustache de Lorey, Paris, 1934; continuously exhibited and frequently published since that time; included in interational exhibition Cleopatra’s Egypt, Brooklyn and Munich, 1988, and La Gloire d’Alexandrie, Paris 1998
Augustin, p. 170. Scott, Nora E. 1945. Egyptian Statues.
Filippo Negroli – Burgonet – Italian, Milan – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/22634
Storia di Milano XI p. 788, ill. Aroldi, Aldo M.
Goblet with Personifications of Cyprus, Rome, Constantinople, and Alexandria – Avar or Byzantine – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/464119
New York: The Metropolitan Museum of Art, 1925. p. 36, fig. 16.
Jan van Eyck – The Crucifixion; The Last Judgment – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436282
The Artist: For a biography of Jan van Eyck, see the Heilbrunn Timeline of Art History.The Paintings: In unusually tall, narrow paintings, the Crucifixion and Last Judgment emphasize the narrative features of these well-known biblical themes prophesied in Isaiah and related in the Gospels of Matthew, Mark, Luke, and John for the Crucifixion, and in Deuteronomy and the Book of Revelation for the Last Judgment
Leipzig, 1903, p. 23 n. 1 (from p. 22). Jean Guiffrey.
Master of the Berswordt Altar – The Crucifixion – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436997
This panel and a scene showing the Flagellation of Christ (The Met 2001.216.2) come from a large dismantled retable probably made for the high altar of the former Collegiate Church (Kollegiatstift) of Sankt Maria und Sankt Georg, now the Neustädter Marienkirche, in Bielefeld
London, 1959, p. 113. F. G. Grossmann, ed.
El Greco (Domenikos Theotokopoulos) – The Vision of Saint John – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436576
This work is a large fragment of one of three altarpieces El Greco was commissioned to paint in 1608 for the church of the Hospital of Saint John the Baptist (also called the Tavera Hospital in honor of its co-founder, Cardinal-Archbishop Juan de Tavera, 1472–1545), just outside the walls of Toledo
Madrid, 1910, p. 84 n. 1, p. 191, agrees with Cossio [Ref. 1908] that the title "
Tilman Riemenschneider – Seated Bishop – German – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/470315
Bruckmann, 1901. no. 194, p. 26. Prachoff, Adrien.