Fragment of a Queen’s Face – New Kingdom – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/544514
Share https://www.metmuseum.org/art/collection/search/544514 https://www.metmuseum.org
Dein Suchergebnis zum Thema: eins/</p/"https:/"<b
Meintest du ein p https b?
Head of King Seti II Wearing the Blue Crown – New Kingdom, Ramesside – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/544752
Share https://www.metmuseum.org/art/collection/search/544752 https://www.metmuseum.org
Master of the Berswordt Altar – The Crucifixion – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436997
This panel and a scene showing the Flagellation of Christ (The Met 2001.216.2) come from a large dismantled retable probably made for the high altar of the former Collegiate Church (Kollegiatstift) of Sankt Maria und Sankt Georg, now the Neustädter Marienkirche, in Bielefeld
Share https://www.metmuseum.org/art/collection/search/436997 https://www.metmuseum.org
Albrecht Dürer – Salvator Mundi – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436243
Along with the Virgin and Child with Saint Anne (The Met 14.40.633), the Salvator Mundi (Savior of the World) is one of two exceptional paintings by Albrecht Dürer in the collection of The Metropolitan Museum
Share https://www.metmuseum.org/art/collection/search/436243 https://www.metmuseum.org
Bronze diskos thrower – Greek – Classical – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/247967
Share https://www.metmuseum.org/art/collection/search/247967 https://www.metmuseum.org
Georges de La Tour – The Fortune-Teller – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436838
Georges de La Tour’s Fortune Teller is one of the painter’s early masterpieces. It has been variously dated between 1620 and 1639, and it is most likely from the 1630s. The canvas is signed at top right: G
Share https://www.metmuseum.org/art/collection/search/436838 https://www.metmuseum.org
Velázquez (Diego RodrÃguez de Silva y Velázquez) – Juan de Pareja (ca. 1608–1670) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/437869
The Background: Between 1649 and 1651, Velázquez travelled to Italy for the second and last time in his life. The main purpose of the trip was to buy paintings and sculptures for King Philip IV of Spain, and while he was in Rome, the painter also received the prestigious commission to portray Pope Innocent X (the canvas is now in the Galleria Doria Pamphilj, Rome)
Share https://www.metmuseum.org/art/collection/search/437869 https://www.metmuseum.org
Senwosret III as a Sphinx – Middle Kingdom – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/544186
Share https://www.metmuseum.org/art/collection/search/544186 https://www.metmuseum.org
Marble statuette of Dionysos – Greek – Early Hellenistic – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/254996
Share https://www.metmuseum.org/art/collection/search/254996 https://www.metmuseum.org
Bernardo Daddi – Saint Reparata before the Emperor Decius – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436069
The Artist: Bernardo Daddi was one of the most important painters of the early Trecento in Florence. He began his activity there in the 1320s during the height of Giotto’s reign over Florentine painting
Share https://www.metmuseum.org/art/collection/search/436069 https://www.metmuseum.org