Armor – Italian, probably Milan – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/22276
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Sheet-gold decoration for a sword scabbard – Greek or Scythian – Late Classical or Hellenistic – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/253056
Said to be from Chaian, Eupatoria district, Crimea, Russian Empire (now Ukraine) (Shcheglov and Katz 1991) In the 1880s, found in the village of Chaian, Eupatoria district, Crimea, by a local peasant; 1880s-90s, said to have been acquired by Islam-Ali, the father of a certain Abdulla-Islam-Ali-Oglu, purchased from a local peasant; with Islam-Ali, Eupatoria district, Crimea; 1914, offered for sale to the Russian Archaeological Institute in Istanbul by an anonymous dealer; [before 1918, acquired by Schepsel Gokhman (Hochmann), probably purchased from an anonymous dealer]; [with Schepsel Gokhman (Hochmann), Odessa (later Berlin); [before 1927, acquired by Kurt W
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Cover of a Writing Tablet – French – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/475489
This rectangular ivory panel once formed the cover of a writing tablet. On one side of the panel, a young woman and a man with a hawk kneel before the winged god Cupid (usually called Amor or The God of Love in contemporary texts)
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The Attarouthi Treasure – Chalice – Byzantine – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/466136
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Nikare with his Wife and Daughter – Old Kingdom – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/543901
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Arnold B̦cklin РIsland of the Dead РThe Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/435683
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Attributed to the Group of Boston 00.348 – Terracotta column-krater (bowl for mixing wine and water) – Greek, South Italian, Apulian – Late Classical – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/254649
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Nicolaes Berchem – Rest – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/435655
This is one of the earliest known works by Berchem, and is generally consistent with Haarlem landscape painting of the 1640s. Though the painting has awkward passages, especially the female figure and the cow, the trees and sky are fluidly painted
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Statuette of Amun – Third Intermediate Period – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/544874
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Courtiers in a Rose Garden: A Lady and Two Gentlemen – South Netherlandish – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/463188
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