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Raphael (Raffaello Sanzio or Santi) – The Agony in the Garden – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437371

the convent of Sant’Antonio da Padova, Perugia (until 1663; sold to Christina); Christina, former Queen of Sweden, Rome (1663–d. 1689; unnum. inv., ca. 1689); Cardinal Decio Azzolino, Rome (d. 1689); his nephew, marchese Pompeo Azzolino, Rome (1689–96; sold to Odescalchi); principe Livio Odescalchi, duca di Bracciano, Rome (1696–d
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Master of Flora – The Birth of Cupid – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437006

Prince Antonin Juritzky, also known as Alfred Juritzky-Warberg, Vienna or Schloss Gablitz, near Vienna (in 1923); [Nicholas A. Karger, until 193(?); sold to Kleinberger]; [Kleinberger, Paris and New York, until 1934; sold to Wildenstein]; [Wildenstein, New York, 1934–41; sold to The Met]
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Style of Jacob Backer – Portrait of an Old Woman – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/435597

When this panel was in the Kann and Havemeyer collections, it was highly regarded as a Rembrandt. The picture held its place in Rembrandt catalogues through Valentiner’s unreliable corpus of 1931, after which the work was dropped from scholarly discussions for fifty years
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Workshop of Biduinus – Portal from the Church of San Leonardo al Frigido – Italian – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/471911

The reconstructed portal is composed of five medieval elements. Neither the bases nor the arch of rosettes were part of the medieval monument. The two jambs of gray Carrara marble were apparently recarved from sections of antique sarcophagi
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Rembrandt (Rembrandt van Rijn) – Hendrickje Stoffels (1626–1663) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437396

The daughter of an army sergeant, Hendrickje Stoffels advanced in Rembrandt’s household from servant (by 1649) to mistress, presumed model, and common-law wife, as well as stepmother to the artist’s son Titus (1641–1668) and mother of his daughter Cornelia (1654–1685)
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The Cloisters Cross – British – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/470305

Inscription: (central medallion (A), front, on scroll of Moses, center): SIC . ERIT . VITA . TVA . PENDENS / . ANE . N . CREDES . VITE . TVE (Thus your life will hang in the balance before [you], you will not be sure of your life [Deuteronomy 28:66])(central medallion (A), front, on upper left scroll): SICVT
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Crib of the Infant Jesus – South Netherlandish – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/465966

From the Grand Béguinage of Louvain, Belgium; Jules Frésart, Liège (1882–sold by 1892, to Figdor); Dr. Albert Figdor, Vienna (by 1892–until d. 1927); his posthumous sale, Paul Cassirer, Berlin (September 29–30, 1930, no
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