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The artist’s brother-in-law, Léon Appert, Paris (in 1892); Félix Fénéon, Paris (by 1904–at least 1909); [Stephan Bourgeois, New York, by 1916–at least 1918]; Adolph Lewisohn, New York (1919–d
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Like a good number of works formerly attributed to Rembrandt, this large canvas was included in catalogues of the artist’s work through Bauch’s corpus of 1966 and then rejected by Gerson (1968, 1969). In 1923, however, Van Dyke, no doubt responding to the frequent suggestion of Frans Hals’s influence on the painting, assigned it to that master or to the „Hals School
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Inscription: Signed (lower right, in black ink): Grosz; inscribed (lower left, in graphite): Der Dollar 300 / Der Dollar 300 / K [?] 14 39; inscribed (lower center, in pencil): II; inscribed (lower right, in graphite): M [?] 28L [?]
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Richter, Gisela M. A. and Lindsley F. Hall. 1936. Red-Figured Athenian Vases in the Metropolitan Museum of Art. no. 81, pp. 111–12, pls. 83, 84, 173, New Haven: Yale University Press.Richter, Gisela M
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Marking: Arms (central panel, left window): D’or au chevron de sable charge sur sa pointe d’une chaine de quatre chainons d’argent elle meme placee en chevron. For Ingelbrechts (Ingelbrechts or Ymbrechts) of Malines and Spain
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Henry II, King of France (until d. 1559); Carl August, Grand Duke of Saxe-Weimar-Eisenach, Residenzschloss, Weimar (by 1804–d. 1828); by descent to Wilhelm Ernst, Grand Duke of Saxe-Weimar-Eisenach, Residenzschloss, Weimar, later Schloss Heinrichau, Lower Silesia, Germany (now Henryków, Poland) (1901–d
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Watteau did not participate in public exhibitions, nor title his pictures, whose meaning is often difficult to fathom. This late work is clearly a theatrical subject, and as he is known to have made drawings of comic actors and quacks from an early age, he must have been interested in the theater throughout his short life
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This rectangular ivory panel once formed the cover of a writing tablet. On one side of the panel, a young woman and a man with a hawk kneel before the winged god Cupid (usually called Amor or The God of Love in contemporary texts)
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