Dein Suchergebnis zum Thema: eins/</p/"1"

This is one of a very few works that may be attributed to Berlinghiero based on analogies of style with a Crucifix in the Museo di Villa Guinigi, Lucca, that is signed „Berlingherius me pinxit.“ The painter—a key figure in the history of Tuscan painting—was from Volterra and is first documented in 1228 together with his two sons Barone and Bonaventura, both of whom, together with a third son, Marco, also became painters
The Hague, 1932, p. 315 n.1, judging from reproductions only, finds it more Byzantine

From the Public Life of Christ window, choir of the castle chapel (the Schlosskapelle) at Ebreichsdorf, south of Vienna.; Lolowrat-Liebsteinsky, Ebreichsdorf (1983-73) ; Count Joseph Arco-Zinneberg, Ebreichsdorf (1873-1922) ; [ Duveen Brothers, London, Paris and New York] ; Mrs
. 1.

"Landscape," November 8, 1945–January 1, 1946, no. 42.

Central-Commission zur Erforschung und Erhaltung der Kunst- und Historischen Denkmale, n.s., 1

(e): 33 1/4 x 18 1/2 in. (84.5 x 47 cm) Overall (f): 43 x 17 in. (109.2 x 43.2 cm

: Pot-metal glass, colorless glass, and vitreous paint Dimensions: Overall: 27 1/

From the Passion of Christ window, choir of the castle chapel (the Schlosskapelle) at Ebreichsdorf, south of Vienna.; Lolowrat-Liebsteinsky, Ebreichsdorf (1843-73) ; Count Joseph Arco-Zinneberg, Ebreichsdorf (1873-1922) ; [ Duveen Brothers, London, Paris and New York] ; Mrs
"Mirror of the Medieval World," March 9–June 1, 1999. "Notizen."

?prince Philippe François de Rubempré, Brussels (until 1766; sale, Brussels, April 11, 1765, no. 130, and—evidently the same picture—August 8, 1766, no. 36); ?duc d’Arenberg (until 1847; his sale, Brussels, October 4, 1847, no
Dimensions: 88 3/4 x 127 5/8 in. (225.4 x 324.2 cm), including added strips of 13 1/

The artist’s brother-in-law, Léon Appert, Paris (in 1892); Félix Fénéon, Paris (by 1904–at least 1909); [Stephan Bourgeois, New York, by 1916–at least 1918]; Adolph Lewisohn, New York (1919–d
London, 1908, vol. 1, p. 311, ill. opp. p. 310, mentions that it appeared in Paris

"Manet, 1832–1883," April 22–August 1, 1983, no. 98. New York.