Dein Suchergebnis zum Thema: eins/</p/"1"

The Metropolitan Museum of Art Bulletin 9, no. 1 (Summer 1950). p. 22.

Art News 34 (February 1, 1936), p. 6, ill. on cover.

The Painting: In his mid-fifties and at the height of his career, Paul Cézanne began a series of paintings, drawings, and watercolors of card players. The unprecedented repetition of the theme of card players and the monumental scale at which he chose to work in two of the later canvases demonstrate the significance of the project for him
Fig. 1.

Inscription: Inscribed in Greek: [On lid] Here is your son…Here is your Mother (on either side of Christ’s head); Jesus; Mother of God; John; [on lid moving clockwise from upper left] Saint Demetrios; Saint Eustathios; Saint Lawrence; Luke; Mark; Thomas; James; Saint Damianos; Saint Kosmas; Saint Gregory the Miracle-Worker; Bartholomew; Matthew; Jude; Simon; [on side moving clockwise from upper left] Saint Anastasios; Saint Nicholas; Saint Platon; Saint Theodore; Saint Prokopios; Saint George; Saint Merkourios; Saint Eustratios; Saint Panteleimon; Saint Andrew; Saint John; Saint Paul; Saint Peter; [inside lid] Hail, full of grace!; The Nativity; Here is your son
1/16 x 4 1/16 x 2 13/16 in. (2.7 x 10.3 x 7.1 cm) lid only: 2 13/16 x 3 7/8 x 1/8

[Ambroise Vollard, Paris, sold by winter 1924 to Reber]; Dr. Gottlieb Friedrich Reber, Lugano and Lausanne (1924–37; sold in November 1937 to Cooper); Douglas Cooper, London (1937–d. 1984; inv. no. 65; estate no. DC 35/34; his bequest to McCarty-Cooper); his partner and adopted son, William McCarty-Cooper, London (1984–86; sold in November 1986 to Lauder); Leonard A. Lauder, New York (1986–2013; transferred on April 8, 2013 to the Leonard A. Lauder Cubist Trust); The Leonard A. Lauder Cubist Trust, New York (2013–21; gift to MMA)
Sant Joan), summer 1909 Medium: Oil on canvas Dimensions: 36 3/4 × 29 3/8 × 1

[By 1932, known on the art market]; [1940, purchased by Joseph Brummer from Arthur Upham Pope (Brummer inv. no. N4513)]; acquired by the Museum in 1947, purchased from the estate of Joseph Brummer, New York
The Metropolitan Museum of Art Bulletin 7 (7), p. 189, ill. p. 197.

The Artist: For a biography of Petrus Christus, see the Heilbrunn Timeline of Art History.The Subject and Function of the Painting: After Christ’s crucifixion, his corpse was taken down from the cross and prepared for burial
Fig. 1.

From the Infancy of Christ window, choir of the castle chapel (the Schlosskapelle) at Ebreichsdorf, south of Vienna.; Lolowrat-Liebsteinsky, Ebreichsdorf (1843–73) ; Count Joseph Arco-Zinneberg, Ebreichsdorf (1873–1922) ; [ Duveen Brothers, London, Paris and New York] ; Mrs
"Mirror of the Medieval World," March 9–June 1, 1999. "Notizen."

Like a good number of works formerly attributed to Rembrandt, this large canvas was included in catalogues of the artist’s work through Bauch’s corpus of 1966 and then rejected by Gerson (1968, 1969). In 1923, however, Van Dyke, no doubt responding to the frequent suggestion of Frans Hals’s influence on the painting, assigned it to that master or to the „Hals School
Vol. 1, La science—L’art.

Jean, Duke of Berry d. 1416 (1408/09–d. 1416; item no. 960 in 1413 inventory) ; Yolande, Queen of Sicily and Duchess of Anjou (1417–d.1443) ; Pierre-Gabriel Bourlier, baron d’Ailly (before 1879–sold by 1884) ; Baron Edmond James de Rothschild, Paris (by 1884–d
Vol. 1. Paris: Ernest Leroux, 1894. no. 960, p. 253. Durrieu, Paul.