Dein Suchergebnis zum Thema: eins/</p/"1"

Androcles 1 (February 1932), pp. 27–28, calls it "Nasturtiums and Dance".

From the Infancy of Christ window, choir of the castle chapel (the Schlosskapelle) at Ebreichsdorf, south of Vienna.; Lolowrat-Liebsteinsky, Ebreichsdorf (1843-73) ; Count Joseph Arco-Zinneberg, Ebreichsdorf (1873-1922) ; [ Duveen Brothers, London, Paris and New York] ; Mrs
"Mirror of the Medieval World," March 9–June 1, 1999. "Notizen."

When this panel was in the Kann and Havemeyer collections, it was highly regarded as a Rembrandt. The picture held its place in Rembrandt catalogues through Valentiner’s unreliable corpus of 1931, after which the work was dropped from scholarly discussions for fifty years
New York, 1894, vol. 1, p. 268 n. 1, calls it "an old copy, smaller and less frank

Pantheon 18, no. 1 (1960). pp. 1–3. Philippowich, Eugen von.

From the Public Life of Christ window, choir of the castle chapel (the Schlosskapelle) at Ebreichsdorf, south of Vienna.; Roy Grosvenor Thomas 1886–1952, New York (by 1923) ; George A. Douglass, Sr., Greenwich, CT
"Mirror of the Medieval World," March 9–June 1, 1999. "Notizen."

"Henri Matisse," November 2–December 1, 1973, no. 5 (as "Jeune marin II," lent

Said to be from Chaian, Eupatoria district, Crimea, Russian Empire (now Ukraine) (Shcheglov and Katz 1991) In the 1880s, found in the village of Chaian, Eupatoria district, Crimea, by a local peasant; 1880s-90s, said to have been acquired by Islam-Ali, the father of a certain Abdulla-Islam-Ali-Oglu, purchased from a local peasant; with Islam-Ali, Eupatoria district, Crimea; 1914, offered for sale to the Russian Archaeological Institute in Istanbul by an anonymous dealer; [before 1918, acquired by Schepsel Gokhman (Hochmann), probably purchased from an anonymous dealer]; [with Schepsel Gokhman (Hochmann), Odessa (later Berlin); [before 1927, acquired by Kurt W
Metropolitan Museum Studies, 4(1): pp. 10930, figs. 3–6, 14, 16, 18, 21.

Along with the Virgin and Child with Saint Anne (The Met 14.40.633), the Salvator Mundi (Savior of the World) is one of two exceptional paintings by Albrecht Dürer in the collection of The Metropolitan Museum
Vol. 1, Altdorf, 1764, p. ?, publishes Ref. Hauer n.d.

The Background: Between 1649 and 1651, Velázquez travelled to Italy for the second and last time in his life. The main purpose of the trip was to buy paintings and sculptures for King Philip IV of Spain, and while he was in Rome, the painter also received the prestigious commission to portray Pope Innocent X (the canvas is now in the Galleria Doria Pamphilj, Rome)
Fig. 1.

The Metropolitan Museum of Art Bulletin 9, no. 1 (Summer 1950). p. 22.