Meintest du ein p 1?
Inscription: (On scroll): . Ave . / . gracia . / . ple / na . (Hail [Mary] full of grace)Marking: Arms [on shield held by two angels, center top]: Vilanova of Castile, Catalonia, etc
. 1.
The daughter of an army sergeant, Hendrickje Stoffels advanced in Rembrandt’s household from servant (by 1649) to mistress, presumed model, and common-law wife, as well as stepmother to the artist’s son Titus (1641–1668) and mother of his daughter Cornelia (1654–1685)
1669 Amsterdam) Date: mid-1650s Medium: Oil on canvas Dimensions: 30 7/8 x 27 1/
Der Kunstmarkt 1, no. 7 (November 20, 1903). p. 50, (as no. 989).
From the cloister of the royal abbey of Saint-Denis, France.; marquis de Migieu, Savigny-les-Beaune (about 1771?); vicomte de Vaulchier ; [ Dealer, Versailles (?)]; [ Alphonse Kann (French), Paris (sold 1920)]
Vol. 1. Paris, 1729. pp. 57–58, pl. X. Plancher, Urbain.
Culture: Greek, Attic Medium: Terracotta; red-figure Dimensions: 11 7/16 × 11 1/
Inscription: [on black band against background] PADRE MIO SIENO SALVI CHOSTORO PEQUALI TU / VOLESTI CHIO PATISSI PASSIONE (My Father, let those be saved for whom you wished me to suffer the Passion); DOLCIXIMO FIGLIUOLO PELLAC: / TE CHIO TIDIE ABBI MIA DI CHOSTORO (Dearest Son, because of the milk that I gave you, have mercy on them)
Florence: Giovanni Cirri, 1887. pt. 1: p. 241, pt. 2: p. 151. Poggi, Giovanni.
From the Passion of Christ window, choir of the castle chapel (the Schlosskapelle) at Ebreichsdorf, south of Vienna.; Lolowrat-Liebsteinsky, Ebreichsdorf (1843-73) ; Count Joseph Arco-Zinneberg, Ebreichsdorf (1873-1922) ; [ Duveen Brothers, London, Paris and New York] ; Mrs
Handbuch der Kunstwissenschaft, Vol. 1.
Notes – Fogg Art Museum 1, no. 2 (June 1922). p. 23. Enlart, Camille.
Beneath a curiously distended double arch of the nave of a church illuminated with bottle glass windows, the Virgin demurely extends her hand, on which a bearded Joseph places a ring rendered in raised, gilded pastiglia—the same technique used for the collar of the officiating priest and for the haloes decorated with pseudo-Kufic lettering
Art News 35 (May 1, 1937), p. 156, ill. p. 42. Charles Sterling.
Marking: Arms (central panel, left window): D’or au chevron de sable charge sur sa pointe d’une chaine de quatre chainons d’argent elle meme placee en chevron. For Ingelbrechts (Ingelbrechts or Ymbrechts) of Malines and Spain
Alte und Neue Kunst 9, no. 1/2 (1958). p. 32.
