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Rembrandt (Rembrandt van Rijn) – Hendrickje Stoffels (1626–1663) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437396

The daughter of an army sergeant, Hendrickje Stoffels advanced in Rembrandt’s household from servant (by 1649) to mistress, presumed model, and common-law wife, as well as stepmother to the artist’s son Titus (1641–1668) and mother of his daughter Cornelia (1654–1685)
1669 Amsterdam) Date: mid-1650s Medium: Oil on canvas Dimensions: 30 7/8 x 27 1/

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Attributed to Lorenzo Monaco (Piero di Giovanni) – The Intercession of Christ and the Virgin – Italian – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/470328

Inscription: [on black band against background] PADRE MIO SIENO SALVI CHOSTORO PEQUALI TU / VOLESTI CHIO PATISSI PASSIONE (My Father, let those be saved for whom you wished me to suffer the Passion); DOLCIXIMO FIGLIUOLO PELLAC: / TE CHIO TIDIE ABBI MIA DI CHOSTORO (Dearest Son, because of the milk that I gave you, have mercy on them)
Florence: Giovanni Cirri, 1887. pt. 1: p. 241, pt. 2: p. 151. Poggi, Giovanni.

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Michelino da Besozzo (Michelino de Mulinari) – The Marriage of the Virgin – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437083

Beneath a curiously distended double arch of the nave of a church illuminated with bottle glass windows, the Virgin demurely extends her hand, on which a bearded Joseph places a ring rendered in raised, gilded pastiglia—the same technique used for the collar of the officiating priest and for the haloes decorated with pseudo-Kufic lettering
Art News 35 (May 1, 1937), p. 156, ill. p. 42. Charles Sterling.

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Workshop of Robert Campin – Annunciation Triptych (Merode Altarpiece) – Netherlandish – The Metropolitan Museum of Art

https://www.metmuseum.org/Collections/search-the-collections/470304

Marking: Arms (central panel, left window): D’or au chevron de sable charge sur sa pointe d’une chaine de quatre chainons d’argent elle meme placee en chevron. For Ingelbrechts (Ingelbrechts or Ymbrechts) of Malines and Spain
Alte und Neue Kunst 9, no. 1/2 (1958). p. 32.

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