after Andreas Achenbach – Forest Scene – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/701299
Lithograph Dimensions: Sheet: 10 7/16 × 8 3/8 in. (26.5 × 21.2 cm) Image: 8 1/
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Lithograph Dimensions: Sheet: 10 7/16 × 8 3/8 in. (26.5 × 21.2 cm) Image: 8 1/
From the north nave of the former Carmelite church at Boppard-am-Rhein in Rheinland-Pflaz (Rhein-Hunsrück-Kreis), near Koblenz, Germany; Count Hermann Pückler, Muskau (from 1818) ; [ Frédéric Spitzer Austrian, Paris (from at least 1875-1893)] ; his posthumous sale, Chevallier & Mannheim, Paris (April 17–June 16, 1893, nos
glass, white glass, vitreous paint, silver stain Dimensions: Each window 12 ft. 4 1/
Date: early 3rd century BCE Culture: Greek Medium: Marble Dimensions: H. 19 1/
Rider on a NagA number of drawings from the Deccani kingdoms that incorporate marbling are known. A whole group of them illustrate nags; among the Sufis, nags are thought metaphorically to embody the body’s gross desires and therefore are properly shown starved and beaten
famed tale starves himself out of grief over his separation from his beloved Layla.[1]
New York. Brooklyn Museum. „Loan Exhibition of European Arms and Armor,“ June 12–October 31, 1933, no. 4.Los Angeles. Los Angeles County Museum of Art. „Loan Exhibition of Mediaeval and Renaissance Arms and Armor from the Metropolitan Museum of Art,“ January 15–March 18, 1953, no
Augsburg Culture: German, Augsburg Medium: Steel, leather Dimensions: H. 41 1/
Instruments Photographs Antonio Ratti Textile Center Modern and Contemporary Art 1
The Metropolitan Museum of Art Bulletin (1973–74), p. 86, ill.
From the north nave of the former Carmelite church at Boppard-am-Rhein in Rheinland-Pfalz (Rhein-Hunsrück-Kreis), near Koblenz, Germany.; Count Hermann Pückler, Muskau (from 1818) ; [ Frédéric Spitzer Austrian, Paris (from at least 1875–sold 1893)] ; his posthumous sale, Chevallier & Mannheim, Paris (April 17–June 16, 1893, no
glass, white glass, vitreous paint, silver stain Dimensions: Each window 12 ft. 4 1/
In The Metropolitan Museum of Art Bulletin, 10/1, pp. 19–20.