Johann Friedrich Overbeck – The Banishment of Hagar – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/743039
Leipzig, 1846, vol. 1, p. 120, as the "Vertreibung der Hagar".
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Senwosret III as a Sphinx – Middle Kingdom – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/544186
Augustin, p. 83. Hayes, William C. 1953.
Panel painting of a woman in a blue mantle – Roman Period – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/591557
Owned by S. Simonian, Hamburg Germany, before 2013. Published 1997 and 2003, exhibited in Frankfurt in 1999 and Vienna in 2003 and published in exhibition catalogs. Purchased from Pierre Bergé & Associés, Paris, 2013
Burial Customs in Roman Egypt, p. 128, pl. 16.3.
George Grosz – Erste George Grosz-Mappe – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/491927
Inscription: Title page inscribed: Nr. 18; porfolio folder inscribed and dated: Erste / George Grosz – Mappe / 1917; extra porfolio folder inscribed and dated: Erste / George Grosz – Mappe / 1917; „Erinnerung an New York“ (lithograph) inscribed (lower left, on verso): Erinnerung an New York / George Grosz; „Straße in der Stadt“ (lithograph) inscribed (lower left, on verso):
8 × 3/8 in. (51.8 × 41 × 1 cm) Extra portfolio label: 3 7/8 × 6 1/4 in. (9.8
Johan Christian Dahl – Two Men before a Waterfall at Sunset – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/439344
Two men stand at a precipice beside towering spruce trees. They look across a gorge toward a majestic waterfall, having paused together to contemplate this untamed scenery at sunset. The figure on the left, shown wearing a top hat and overcoat, is most likely a self-portrait by Dahl
Fig. 1.
Robert Gober – Untitled – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/830038
New York Times (June 3, 2001), p. AR 33. Carol Vogel.
Bernardo Daddi – Saint Reparata Tortured with Red-Hot Irons – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436071
The Artist: Bernardo Daddi was one of the most important painters of the early Trecento in Florence. He began his activity there in the 1320s during the height of Giotto’s reign over Florentine painting
Fig. 1.
The Attarouthi Treasure – Byzantine – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/474390
€“Jun. 30, 1990). p. 28, illus.
Foot-Combat Helm of Sir Giles Capel (1485–1556) – possibly British – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/21997
Sir Giles Capel, Rayne Hall, Essex, England (until d. 1556; bequeathed to All Saints Chapel); All Saints Chapel, Rayne Hall, Essex, England (1556–1840; removed by Parmenter); William Parmenter, Bocking, Essex, England (1840–about 1866; sold for 10 s, to Courtauld); Edith Courtauld (later Arendrup), London, England (about 1866–80; gift to de Cosson); Baron Charles Alexander de Cosson, London (1880–93; sold on April 17, 1893, for Fr
1556) Date: ca. 1510 Culture: possibly British Medium: Steel Dimensions: H. 17 1/
Cover of a Writing Tablet – French – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/475489
This rectangular ivory panel once formed the cover of a writing tablet. On one side of the panel, a young woman and a man with a hawk kneel before the winged god Cupid (usually called Amor or The God of Love in contemporary texts)
(1994): pp. 1-16.