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Hall Medium: Quartzite, paint Dimensions: H. 44.5 × W. 30.5 × D. 34.5 cm (17 1/

Br. 703, 1), respectively.

The low relief carving on this ivory panel represents the progress of the hunt in three scenes. On the left, the chase begins as a hunter on a galloping horse blows his horn while his dog runs beside him and　court ladies watch from the parapets of the castle
Paris, France Culture: French Medium: Ivory Dimensions: Overall: 4 5/16 x 12 1/

The Artist: Antonio Vivarini was a member of a family documented on the island of Murano (Venice) and Padua from the second half of the fourteenth century. His father, Michele, and the founder of the family, „Vivarinus vitruarius,“ were both glassmakers
Fig. 1.

This panel and a scene showing the Crucifixion of Christ (The Met, 43.161) come from a large dismantled retable probably made for the high altar of the former Collegiate Church (Kollegiatstift) of Sankt Maria und Sankt Georg, now the Neustädter Marienkirche, in Bielefeld
Fig. 1.

"Mirror of the Medieval World," March 9–June 1, 1999. New York.

The Artist: Bernardo Daddi was one of the most important painters of the early Trecento in Florence. He began his activity there in the 1320s during the height of Giotto’s reign over Florentine painting
Fig. 1.

Hazan, p. 106. Morris, Ellen 2011. "Paddle Dolls and Performance."

Henry II, King of France (until d. 1559); Carl August, Grand Duke of Saxe-Weimar-Eisenach, Residenzschloss, Weimar (by 1804–d. 1828); by descent to Wilhelm Ernst, Grand Duke of Saxe-Weimar-Eisenach, Residenzschloss, Weimar, later Schloss Heinrichau, Lower Silesia, Germany (now Henryków, Poland) (1901–d
"Masterpieces of Fifty Centuries," November 14, 1970–June 1, 1971, no. 249.

New York: The Metropolitan Museum of Art, 1979. no. 15, p. 22.