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Armor of George Clifford, Part 1 0:00 RWSkip backwards ten seconds.
"Masterpieces of Fifty Centuries," November 14, 1970–June 1, 1971.
"Mirror of the Medieval World," March 9–June 1, 1999. New York.
Mercure de France 1 (January 1890), p. 28 [reprinted in English transl. in Ronald
, Bergen 1788–1857 Dresden) Date: 1830 Medium: Oil on canvas Dimensions: 6 1/
700s Culture: Avar or Byzantine Medium: Gold Dimensions: 6 5/8 × 4 13/16 × 5 1/
Purchased from Eustache de Lorey, Paris, 1934; continuously exhibited and frequently published since that time; included in interational exhibition Cleopatra’s Egypt, Brooklyn and Munich, 1988, and La Gloire d’Alexandrie, Paris 1998
View #1 front right profile left rear left profile b&w, detail of King, right
Aix-en-Provence) Date: 1888–90 Medium: Oil on canvas Dimensions: 45 7/8 × 35 1/
The reconstructed portal is composed of five medieval elements. Neither the bases nor the arch of rosettes were part of the medieval monument. The two jambs of gray Carrara marble were apparently recarved from sections of antique sarcophagi
Belle arti 1, no. 2 (November-December 1946). p. 97. Formentini, Ubaldo.
The Artist: Bernardo Daddi was one of the most important painters of the early Trecento in Florence. He began his activity there in the 1320s during the height of Giotto’s reign over Florentine painting
Fig. 1.
