Dein Suchergebnis zum Thema: eins/</p/"1"/"

Palazzo Barberini, Rome, likely 1679-at least 1881 and probably 1890; E. Volpi, Florence, as early as 1890-1905; exported from Italy, July 1905 (dated customs stamp on reverse of panel); Oscar Huldschinsky, Berlin, from 1906-May 1928; Huldschinsky sale, Cassirer and Helbing, Berlin, May 10–11, 1928, no
London, 1871, p. 350 n. 1. Ivan Lermolieff [Giovanni Morelli].

Culture: Greek, Attic Medium: Terracotta; red-figure Dimensions: 11 7/16 × 11 1/

Inscription: (On scroll): . Ave . / . gracia . / . ple / na . (Hail [Mary] full of grace)Marking: Arms [on shield held by two angels, center top]: Vilanova of Castile, Catalonia, etc
. 1.

Inscription: [on black band against background] PADRE MIO SIENO SALVI CHOSTORO PEQUALI TU / VOLESTI CHIO PATISSI PASSIONE (My Father, let those be saved for whom you wished me to suffer the Passion); DOLCIXIMO FIGLIUOLO PELLAC: / TE CHIO TIDIE ABBI MIA DI CHOSTORO (Dearest Son, because of the milk that I gave you, have mercy on them)
Florence: Giovanni Cirri, 1887. pt. 1: p. 241, pt. 2: p. 151. Poggi, Giovanni.

Marking: Arms (central panel, left window): D’or au chevron de sable charge sur sa pointe d’une chaine de quatre chainons d’argent elle meme placee en chevron. For Ingelbrechts (Ingelbrechts or Ymbrechts) of Malines and Spain
Alte und Neue Kunst 9, no. 1/2 (1958). p. 32.

Watteau did not participate in public exhibitions, nor title his pictures, whose meaning is often difficult to fathom. This late work is clearly a theatrical subject, and as he is known to have made drawings of comic actors and quacks from an early age, he must have been interested in the theater throughout his short life
Figaro illustré, 2nd ser., no. 127 (October 1900), p. 214 n. 1, ill. p. 221.

The Artist: The great history painter and portraitist Jacques Louis David studied with Joseph Marie Vien and then, in 1766, entered the school of the Académie Royale de Peinture et de Sculpture
Vol. 1, Paris, 1864, p. 385. Jean du Seigneur. "Appendice à la notice de P.

Der Kunstmarkt 1, no. 7 (November 20, 1903). p. 50, (as no. 989).

From the cloister of the royal abbey of Saint-Denis, France.; marquis de Migieu, Savigny-les-Beaune (about 1771?); vicomte de Vaulchier ; [ Dealer, Versailles (?)]; [ Alphonse Kann (French), Paris (sold 1920)]
Vol. 1. Paris, 1729. pp. 57–58, pl. X. Plancher, Urbain.

the convent of Sant’Antonio da Padova, Perugia (until 1663; sold to Christina); Christina, former Queen of Sweden, Rome (1663–d. 1689; unnum. inv., ca. 1689); Cardinal Decio Azzolino, Rome (d. 1689); his nephew, marchese Pompeo Azzolino, Rome (1689–96; sold to Odescalchi); principe Livio Odescalchi, duca di Bracciano, Rome (1696–d
Vol. 1, Paris, 1786, p. 3, unnumbered pl.