Meintest du ein p 1?
Bulletin of the Metropolitan Museum of Art, 10(4): pp. 70–72, fig. 1.
Studying first with François Élie Vincent (1708–1790), a miniaturist whose Paris studio was in the same street as her father’s shop, Adélaïde Labille embarked upon her career before she was twenty
[Ghent], 2014, p. 11, fig. 1 (color). Susan L. Siegfried.
Emile Gavet, Paris (until 1897) ; his sale, Galerie Georges Petit, Paris (May 9–June 9, 1897, no. 327) ; Paul Casimir Garnier, Paris (1897–1916) ; his sale, Hôtel Drouot, Paris (December 18–23, 1916, no
Wasmuth, 1922. p. 8, pl. 45c. Goldschmidt, Adolph.
From the monastery of Moutiers-Saint-Jean, Côte d’Or, Burgundy, France; near Dijon; M. Ohresser, Moutier-Saint-Jean, France (until 1909) ; [ Demotte Inc., Paris (sold 1909) (?)] ; Michel Manzi French, Paris (through M
London: Phaidon Press, 1959. p. 10, fig. 1. Rorimer, James J.
The artist’s brother-in-law, Léon Appert, Paris (in 1892); Félix Fénéon, Paris (by 1904–at least 1909); [Stephan Bourgeois, New York, by 1916–at least 1918]; Adolph Lewisohn, New York (1919–d
London, 1908, vol. 1, p. 311, ill. opp. p. 310, mentions that it appeared in Paris
Richter, Gisela M. A. and Lindsley F. Hall. 1936. Red-Figured Athenian Vases in the Metropolitan Museum of Art. no. 81, pp. 111–12, pls. 83, 84, 173, New Haven: Yale University Press.Richter, Gisela M
Handbook of the Greek Collection. p. 87, Cambridge, Mass.: Harvard University Press
From the former transept portal of the cathedral of Saint-Lazare at Autun; Roidet-Haudaille (architect), Autun, France ; Abbé Victor Terret, Autun, France ; [ Jean Peslier, Vézelay (sold 1935)] ; [ Brummer Gallery, Paris and New York (1935–1947)]
Made in Burgundy, France Culture: French Medium: Limestone Dimensions: 23 x 16 1/
View 1 View 2 View 3 3/4 right Detail 1: head and torso of Ni-ka-re’s wife, Khuen-nub
This is one of the earliest known works by Berchem, and is generally consistent with Haarlem landscape painting of the 1640s. Though the painting has awkward passages, especially the female figure and the cow, the trees and sky are fluidly painted
1621/22–1683 Amsterdam) Date: 1644 Medium: Oil on wood Dimensions: 17 x 13 1/
New York: The Metropolitan Museum of Art, 1944. pp. 1, 4, pl. 3.
