Andreas Achenbach – Sunset after a Storm on the Coast of Sicily – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/437975
New York, 1954, p. 5. David C. Huntington.
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Meintest du ein p?
Silver Neck Ring – Celtic – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/468178
Batsford, 1939. p. 20, fig. 8; XXI, 5. Jacobstahl, Paul. Early Celtic Art.
Panel painting of a woman in a blue mantle – Roman Period – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/591557
Owned by S. Simonian, Hamburg Germany, before 2013. Published 1997 and 2003, exhibited in Frankfurt in 1999 and Vienna in 2003 and published in exhibition catalogs. Purchased from Pierre Bergé & Associés, Paris, 2013
Burial Customs in Roman Egypt, p. 128, pl. 16.3.
Cover of a Writing Tablet – French – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/475489
This rectangular ivory panel once formed the cover of a writing tablet. On one side of the panel, a young woman and a man with a hawk kneel before the winged god Cupid (usually called Amor or The God of Love in contemporary texts)
Repertorium für Kunstwissenschaft 7 (1884). p. 192. Grupp, Georg.
Hans Leinberger – Saint Stephen – South German – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/466084
Trustees of the Metropolitan Museum of Art vol. 111 (July 1, 1980–June 30, 1981). p.
George Grosz – Erste George Grosz-Mappe – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/491927
Inscription: Title page inscribed: Nr. 18; porfolio folder inscribed and dated: Erste / George Grosz – Mappe / 1917; extra porfolio folder inscribed and dated: Erste / George Grosz – Mappe / 1917; „Erinnerung an New York“ (lithograph) inscribed (lower left, on verso): Erinnerung an New York / George Grosz; „Straße in der Stadt“ (lithograph) inscribed (lower left, on verso):
Comparative Literature Studies 12 (September 1975), p. 230. George Grosz.
Haremhab as a Scribe of the King – New Kingdom – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/544692?exhibitionId=%7B84492ae0-e217-43c5-85c0-e1eb45272036%7D&oid=544692&pkgids=77&pg=1&rpp=4&pos=1&ft=*&locale=en
Base, to the right(1) An „offering that the King gives“ of Thoth, the lord of hieroglyphs, lord of Hermopolis, weigher of truth, conveyor of Re in the night bark. May you grant response to a matter in its exactitude
James P.
Bernardo Daddi – Saint Reparata Tortured with Red-Hot Irons – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436071
The Artist: Bernardo Daddi was one of the most important painters of the early Trecento in Florence. He began his activity there in the 1320s during the height of Giotto’s reign over Florentine painting
The Hague, 1924, p. 408 n. 1, as "the martyrdom of St.
after Andreas Achenbach – Forest Scene – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/701299
Edmond de Goncourt Catalogue raisonné de l’Å“uvre peint, dessiné et gravé de P.
The Virgin Mary and Five Standing Saints above Predella Panels – German – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/473007
From the north nave of the former Carmelite church at Boppard-am-Rhein in Rheinland-Pflaz (Rhein-Hunsrück-Kreis), near Koblenz, Germany; Count Hermann Pückler, Muskau (from 1818) ; [ Frédéric Spitzer Austrian, Paris (from at least 1875-1893)] ; his posthumous sale, Chevallier & Mannheim, Paris (April 17–June 16, 1893, nos
Annual Report of the Trustees of the Metropolitan Museum of Art 69 (1938). p. 25.