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The Artist: Antonio Vivarini was a member of a family documented on the island of Murano (Venice) and Padua from the second half of the fourteenth century. His father, Michele, and the founder of the family, „Vivarinus vitruarius,“ were both glassmakers
Art in America 26 (April 1938), p. 92, ill. p. 89. Harry B. Wehle.
Moscow: Pushkin Museum, 1990. no. 9, p. 10. State Hermitage Museum.
P. Triantaphyllos. Richter, Gisela M. A. 1915.
Rider on a NagA number of drawings from the Deccani kingdoms that incorporate marbling are known. A whole group of them illustrate nags; among the Sufis, nags are thought metaphorically to embody the body’s gross desires and therefore are properly shown starved and beaten
Tehran: Bunyad-i Mawqufat-i Duktur Mahmud Afshar, 1994, p. 274.
New York, p. 14. Winlock, Herbert E. 1937. Egyptian Statues and Statuettes.
The Artist: Bernardo Daddi was one of the most important painters of the early Trecento in Florence. He began his activity there in the 1320s during the height of Giotto’s reign over Florentine painting
Rivista d’arte 8 (1958), p. 135.
Greek, Etruscan and Roman Bronzes. no. 1181, p. 348, New York: Gilliss Press.
New York, 1954, p. 5. David C. Huntington.
