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From the Public Life of Christ window, choir of the castle chapel (the Schlosskapelle) at Ebreichsdorf, south of Vienna.; Lolowrat-Liebsteinsky, Ebreichsdorf (1983-73) ; Count Joseph Arco-Zinneberg, Ebreichsdorf (1873-1922) ; [ Duveen Brothers, London, Paris and New York] ; Mrs
Monatsblatt des Alterthums-vereines zu Wien 3, no. 2 (February 1891). p. 86.
From the Passion of Christ window, choir of the castle chapel (the Schlosskapelle) at Ebreichsdorf, south of Vienna.; Lolowrat-Liebsteinsky, Ebreichsdorf (1843-73) ; Count Joseph Arco-Zinneberg, Ebreichsdorf (1873-1922) ; [ Duveen Brothers, London, Paris and New York] ; Mrs
Monatsblatt des Alterthums-vereines zu Wien 3, no. 2 (February 1891). p. 86.
This panel and a scene showing the Flagellation of Christ (The Met 2001.216.2) come from a large dismantled retable probably made for the high altar of the former Collegiate Church (Kollegiatstift) of Sankt Maria und Sankt Georg, now the Neustädter Marienkirche, in Bielefeld
London, 1959, p. 113. F. G. Grossmann, ed.
London: Burlington Fine Arts Club, p. 81 no. 40 pl. 6.
The reconstructed portal is composed of five medieval elements. Neither the bases nor the arch of rosettes were part of the medieval monument. The two jambs of gray Carrara marble were apparently recarved from sections of antique sarcophagi
Gesta 15, nos. 1-2 (1976). p. 189.
The Artist: Bernardo Daddi was one of the most important painters of the early Trecento in Florence. He began his activity there in the 1320s during the height of Giotto’s reign over Florentine painting
Emporium 86 (July 1937), p. 363, ill. p. 364, calls it Saint Catherine before the
Bruckmann, 1901. no. 194, p. 26. Prachoff, Adrien.
In Metropolitan Museum Journal, 8, c.f. p. 40, n. 36.
Handbook of the Classical Collection. p. 41, fig. 21, New York: The Metropolitan
