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Recent studies of Van Gogh’s canvas supports, undertaken by the Thread Count Automation Project in collaboration with the Van Gogh Museum, have used thread count and weave pattern to identify canvases cut from the same bolt
New York, 1995, p. 494, ill. Jan Hulsker.
The Metropolitan Museum of Art Bulletin 26, no. 2 (October 1967). p. 83.
This is one of a very few works that may be attributed to Berlinghiero based on analogies of style with a Crucifix in the Museo di Villa Guinigi, Lucca, that is signed „Berlingherius me pinxit.“ The painter—a key figure in the history of Tuscan painting—was from Volterra and is first documented in 1228 together with his two sons Barone and Bonaventura, both of whom, together with a third son, Marco, also became painters
Siena, 1934, p. 39, no. 90, pl.
Marking: Arms (on thirteen banners atop turrets, on bosses of vaulting above Joshua and David): azure, semé of fleurs-de-lis gold, within a border engrailed gules [Arms of Jean duc de Berry];(on banner next to end turret at right of tapestry): bendy of six, azure and gold [Arms of Burgundy];(on shield at right of figure): argent, a dragon vert [Arms of Joshua];(on shield at right of figure): azure, a harp gold [Arms of David]
Abrams, 1952. p. 222, fig. 55. Rorimer, James J.
Inscription: (central medallion (A), front, on scroll of Moses, center): SIC . ERIT . VITA . TVA . PENDENS / . ANE . N . CREDES . VITE . TVE (Thus your life will hang in the balance before [you], you will not be sure of your life [Deuteronomy 28:66])(central medallion (A), front, on upper left scroll): SICVT
P . I . L .
Georges de La Tour’s Fortune Teller is one of the painter’s early masterpieces. It has been variously dated between 1620 and 1639, and it is most likely from the 1630s. The canvas is signed at top right: G
Geneva, 1963, p. 180.
From the monastery of Moutiers-Saint-Jean, Côte d’Or, Burgundy, France; near Dijon; M. Ohresser, Moutier-Saint-Jean, France (until 1909) ; [ Demotte Inc., Paris (sold 1909) (?)] ; Michel Manzi French, Paris (through M
London: Phaidon Press, 1959. p. 10, fig. 1. Rorimer, James J.
Monatsblatt des Alterthums-vereines zu Wien 3, no. 2 (February 1891). p. 86.
Inscription: „To the spirits of the dead. To the most saintly Cominia Tyche, his most chaste and loving wife, [from] Lucius Annius Festus. [She] died at the age of twenty-seven years, eleven months, twenty-eight days
The Art Bulletin, 14(1): p. 33. Richter, Gisela M. A. 1938.
?prince Philippe François de Rubempré, Brussels (until 1766; sale, Brussels, April 11, 1765, no. 130, and—evidently the same picture—August 8, 1766, no. 36); ?duc d’Arenberg (until 1847; his sale, Brussels, October 4, 1847, no
Atlantic Monthly 29 (June 1872), p. 758 [reprinted in John L.
