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The political strength of Henry VIII’s regime lay in his ability to choose advisors who were both wise and learned. One of these men was Sir Brian Tuke.
of the Fifteenth through Seventeenth Centuries, which is available as a free PDF https
Accession Number 1952.5.46.b Associated Artworks Saint Veronica [obverse] Hans
After the Reformation had brought social and political upheaval to Germany, creating an unfavorable climate for artists, Holbein moved to England in 1526. He first painted for Sir Thomas More’s circle of high servants of the crown and then became painter to the King himself, Henry VIII.
of the Fifteenth through Seventeenth Centuries, which is available as a free PDF https
Commissioned for the Chapel of San José in Toledo by MartÃn RamÃrez, a namesake of the saint and donor of the chapel, Saint Martin and the Beggar was part of one of the artist’s most successful ensembles. The saint, who lived during the reign of Constantine the Great, was a member of the imperial cavalry stationed near Amiens, in Gaul.
of the Fifteenth through Nineteenth Centuries, which is available as a free PDF https
Saints played a very important role in the popular piety of the late Middle Ages. They were considered to be not only patrons and protectors against all manner of ills, but also mediators between the individual worshiper and God.
of the Fifteenth through Seventeenth Centuries, which is available as a free PDF https
This painting is an outstanding example of the abstract elegance characteristic of Rogier’s late portraits. Although the identity of the sitter is unknown, her air of self–conscious dignity suggests that she is a member of the nobility.
Gallery publication Early Netherlandish Painting, which is available as a free PDF https
Dürer was born in Nuremberg and received a typical medieval training from his goldsmith father and from the Nuremberg painter Michael Wolgemut. Yet he was one of the major transmitters of the ideas of the Italian Renaissance to artists in the North.
of the Fifteenth through Seventeenth Centuries, which is available as a free PDF https
Pietro Bembo (1470–1547) wears the red biretta and cape of a cardinal. At the time Titian painted this portrait, Bembo had recently been elevated to that status in honor of his service to the Church and his scholarly career, although the writer’s literary output was almost entirely secular.
the painting is recorded in a 1730 inventory of Cardinal Francesco II Barberini (p.
Bernardo (Archivio di Stato, Florence, Compagnie Religiose Soppresse in Arezzo, B.
Research Library, Getty Research Institute, Los Angeles: Commission book no. 4, p.
