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Master of Flora – The Birth of Cupid – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437006

Prince Antonin Juritzky, also known as Alfred Juritzky-Warberg, Vienna or Schloss Gablitz, near Vienna (in 1923); [Nicholas A. Karger, until 193(?); sold to Kleinberger]; [Kleinberger, Paris and New York, until 1934; sold to Wildenstein]; [Wildenstein, New York, 1934–41; sold to The Met]
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Style of Jacob Backer – Portrait of an Old Woman – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/435597

When this panel was in the Kann and Havemeyer collections, it was highly regarded as a Rembrandt. The picture held its place in Rembrandt catalogues through Valentiner’s unreliable corpus of 1931, after which the work was dropped from scholarly discussions for fifty years
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Raphael (Raffaello Sanzio or Santi) – The Agony in the Garden – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437371

the convent of Sant’Antonio da Padova, Perugia (until 1663; sold to Christina); Christina, former Queen of Sweden, Rome (1663–d. 1689; unnum. inv., ca. 1689); Cardinal Decio Azzolino, Rome (d. 1689); his nephew, marchese Pompeo Azzolino, Rome (1689–96; sold to Odescalchi); principe Livio Odescalchi, duca di Bracciano, Rome (1696–d
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The Cloisters Cross – British – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/470305

Inscription: (central medallion (A), front, on scroll of Moses, center): SIC . ERIT . VITA . TVA . PENDENS / . ANE . N . CREDES . VITE . TVE (Thus your life will hang in the balance before [you], you will not be sure of your life [Deuteronomy 28:66])(central medallion (A), front, on upper left scroll): SICVT
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Foot-Combat Helm of Sir Giles Capel (1485–1556) – possibly British – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/21997

Sir Giles Capel, Rayne Hall, Essex, England (until d. 1556; bequeathed to All Saints Chapel); All Saints Chapel, Rayne Hall, Essex, England (1556–1840; removed by Parmenter); William Parmenter, Bocking, Essex, England (1840–about 1866; sold for 10 s, to Courtauld); Edith Courtauld (later Arendrup), London, England (about 1866–80; gift to de Cosson); Baron Charles Alexander de Cosson, London (1880–93; sold on April 17, 1893, for Fr
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The Limbourg Brothers – The Belles Heures of Jean de France, duc de Berry – French – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/470306

Jean, Duke of Berry d. 1416 (1408/09–d. 1416; item no. 960 in 1413 inventory) ; Yolande, Queen of Sicily and Duchess of Anjou (1417–d.1443) ; Pierre-Gabriel Bourlier, baron d’Ailly (before 1879–sold by 1884) ; Baron Edmond James de Rothschild, Paris (by 1884–d
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Workshop of Biduinus – Portal from the Church of San Leonardo al Frigido – Italian – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/471911

The reconstructed portal is composed of five medieval elements. Neither the bases nor the arch of rosettes were part of the medieval monument. The two jambs of gray Carrara marble were apparently recarved from sections of antique sarcophagi
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