Head of Tutankhamun – New Kingdom, Amarna Period – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/544690
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Panel with Hunting Scenes – French – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/475488
The low relief carving on this ivory panel represents the progress of the hunt in three scenes. On the left, the chase begins as a hunter on a galloping horse blows his horn while his dog runs beside him and　court ladies watch from the parapets of the castle
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Emaciated Horse and Rider – The Metropolitan Museum of Art https://www.metmuseum.org/collection/the-collection-online/search/450538
Rider on a NagA number of drawings from the Deccani kingdoms that incorporate marbling are known. A whole group of them illustrate nags; among the Sufis, nags are thought metaphorically to embody the body’s gross desires and therefore are properly shown starved and beaten
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Paul C̩zanne РThe Card Players РThe Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/435868
The Painting: In his mid-fifties and at the height of his career, Paul Cézanne began a series of paintings, drawings, and watercolors of card players. The unprecedented repetition of the theme of card players and the monumental scale at which he chose to work in two of the later canvases demonstrate the significance of the project for him
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Ostracon with Pharaoh Spearing a Lion and a Royal Hymn on its Back – New Kingdom, Ramesside – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/544076
Excavated by Lord Carnarvon and Howard Carter, 1920. Acquired by Lord Carnarvon in the division of finds; Carnarvon Collection, 1920–1926. Purchased by the Museum from Lady Carnarvon, 1926.
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Maya artist(s) – Whistling vessel – Maya – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/310542
[Aaron Furman Gallery, New York, until 1962]; Nelson A. Rockefeller, New York, 1962, on loan to The Museum of Primitive Art, New York, 1962–63; The Museum of Primitive Art, New York, 1963–78
See especially p. 122, Pl. 35. Taube, Karl A.
Haremhab as a Scribe of the King – New Kingdom – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/544692?exhibitionId=%7B84492ae0-e217-43c5-85c0-e1eb45272036%7D&oid=544692&pkgids=77&pg=1&rpp=4&pos=1&ft=*&locale=en
Base, to the right(1) An „offering that the King gives“ of Thoth, the lord of hieroglyphs, lord of Hermopolis, weigher of truth, conveyor of Re in the night bark. May you grant response to a matter in its exactitude
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Disk from a Reel – Irish – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/468176
Found in Enniscorthy, southeastern Ireland; Patrick O’ConnorFamily, Ballyjamesduff, Co. Cavan, Ireland; Johnstown Castle, Co. Wexford, Ireland (before 1944); [ Harold Naylar, Dublin]; [ Patrick O’Connor, Dublin and New York (sold 1946)]; [ Brummer Gallery, Paris and New York (1946–1947)]
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Bronze rod tripod – Cypriot – Late Bronze Age – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/244562
excavated by Luigi Palma di Cesnola at Kourion, Cyprus; until 1874, collection of L.P.
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Upper Part of the Seated Statue of a Queen – New Kingdom – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/544454
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