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framed: 103.2 x 122.9 x 10.4 cm (40 5/8 x 48 3/8 x 4 1/8 in.)

framed: 38.9 x 31.8 x 3.8 cm (15 5/16 x 12 1/2 x 1 1/2 in.)

Pietro Bembo (1470–1547) wears the red biretta and cape of a cardinal. At the time Titian painted this portrait, Bembo had recently been elevated to that status in honor of his service to the Church and his scholarly career, although the writer’s literary output was almost entirely secular.
framed: 124.6 x 106.7 x 11.4 cm (49 1/16 x 42 x 4 1/2 in.)

framed: 155.7 x 130.2 cm (61 5/16 x 51 1/4 in.)

This painting is an outstanding example of the abstract elegance characteristic of Rogier’s late portraits. Although the identity of the sitter is unknown, her air of self–conscious dignity suggests that she is a member of the nobility.
framed: 60.9 x 53.3 x 11.4 cm (24 x 21 x 4 1/2 in.)

After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went to Amsterdam in 1624 to study for six months with Pieter Lastman (1583–1633), a famous history painter. Upon completion of his training Rembrandt returned to Leiden.
and April 1931, as a painting by Rembrandt, through (Matthiesen Gallery, Berlin; P.

Right and Left refers to the shooting of two birds, one just after the other, with a double barreled shotgun. Winslow Homer may have seen hunters perform this feat at sea near his studio overlooking the Atlantic Ocean in Prouts Neck, Maine.
Credit Line Gift of the Avalon Foundation Dimensions overall: 71.8 x 122.9 cm (28 1/

Isabella Brant was the first wife of the Antwerp master Peter Paul Rubens, whom she married shortly after his return from Italy in 1609. Just before Anthony van Dyck, one-time protégé and frequent collaborator of Rubens, left Antwerp in October 1621 for his own extended stay in Italy, he apparently presented this portrait to his mentor.
Mellon Collection Dimensions overall: 153 x 120 cm (60 1/4 x 47 1/4 in.)

The composition of this Virgin and Child is loosely based on the Hodegetria , one of the more powerful and enduring icon types of the Orthodox Christian church. The Virgin gestures toward the child to show him as the “way� ( hodos in Greek), the source of salvation.
(Herbert P.

Here is Dutch artist Judith Leyster at her easel, taking a break from painting to engage with us. In what might be considered an early selfie, she leans her forearm on the chair and suspends her paintbrush in midair, as if she’ll turn back to the canvas in a moment.
framed: 99.7 × 91.12 × 8.89 cm (39 1/4 × 35 7/8 × 3 1/2 in.)