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Antoine Watteau – The French Comedians – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437925

Watteau did not participate in public exhibitions, nor title his pictures, whose meaning is often difficult to fathom. This late work is clearly a theatrical subject, and as he is known to have made drawings of comic actors and quacks from an early age, he must have been interested in the theater throughout his short life
Figaro illustré, 2nd ser., no. 127 (October 1900), p. 214 n. 1, ill. p. 221.

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Architectural canopy – Austrian – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/472166

From the Passion of Christ window, choir of the castle chapel (the Schlosskapelle) at Ebreichsdorf, south of Vienna.; Lolowrat-Liebsteinsky, Ebreichsdorf (1843-73) ; Count Joseph Arco-Zinneberg, Ebreichsdorf (1873-1922) ; [ Duveen Brothers, London, Paris and New York] ; Mrs
"Mirror of the Medieval World," March 9–June 1, 1999. "Notizen."

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Architectural canopy – Austrian – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/472165

From the Passion of Christ window, choir of the castle chapel (the Schlosskapelle) at Ebreichsdorf, south of Vienna.; Lolowrat-Liebsteinsky, Ebreichsdorf (1843-73) ; Count Joseph Arco-Zinneberg, Ebreichsdorf (1873-1922) ; [ Duveen Brothers, London, Paris and New York] ; Mrs
"Mirror of the Medieval World," March 9–June 1, 1999. "Notizen."

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Architectural canopy – Austrian – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/472164

From the Infancy of Christ window, choir of the castle chapel (the Schlosskapelle) at Ebreichsdorf, south of Vienna.; Lolowrat-Liebsteinsky, Ebreichsdorf (1843-73) ; Count Joseph Arco-Zinneberg, Ebreichsdorf (1873-1922) ; [ Duveen Brothers, London, Paris and New York] ; Mrs
"Mirror of the Medieval World," March 9–June 1, 1999. "Notizen."

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Raphael (Raffaello Sanzio or Santi) – The Agony in the Garden – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437371

the convent of Sant’Antonio da Padova, Perugia (until 1663; sold to Christina); Christina, former Queen of Sweden, Rome (1663–d. 1689; unnum. inv., ca. 1689); Cardinal Decio Azzolino, Rome (d. 1689); his nephew, marchese Pompeo Azzolino, Rome (1689–96; sold to Odescalchi); principe Livio Odescalchi, duca di Bracciano, Rome (1696–d
Vol. 1, Paris, 1786, p. 3, unnumbered pl.

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