Fragment of a Queen’s Face – New Kingdom – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/544514
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From the high altar of the Cistercian abbey, Lichtenthal, near Baden-Baden, Baden-Württemberg; Dutch or German Private Collection ; [ Sotheby’s, London (July 28, 1939, no. 103) ] ; [ John Hunt, Ireland (1939–sold 1952)]
Culture: German Medium: Poplar, paint and gilt Dimensions: 40 × 28 3/4 × 21 1/
Until 1899, collection of Henry Hoffmann (1823-1897), Paris; May 1899, purchased by Henri de Morgan at the Hoffmann sale at Hôtel Drouot, Paris (lot 78); 1899-1901, collection of Henri de Morgan (1854-1909), Paris; acquired in 1901, purchased at the de Morgan sale at the American Art Galleries, New York (lot 67)
II: no. 15, p.516. Richter, Gisela M.
Attribution, Date, and Bruegel’s Working Methods: When The Met acquired The Harvesters in 1919, the extraordinarily low sale price in part had to do with the art market that had virtually collapsed during World War I
Art Digest 18 (June 1, 1944), p. 26, ill. p. 6, as "now emerging after a cleaning
Inscription: „To the spirits of the dead. To the most saintly Cominia Tyche, his most chaste and loving wife, [from] Lucius Annius Festus. [She] died at the age of twenty-seven years, eleven months, twenty-eight days
The Art Bulletin, 14(1): p. 33. Richter, Gisela M. A. 1938.
Geography: From Egypt, Upper Egypt, Thebes Medium: Sard Dimensions: H. 3.4 cm (1
This is one of the earliest known works by Berchem, and is generally consistent with Haarlem landscape painting of the 1640s. Though the painting has awkward passages, especially the female figure and the cow, the trees and sky are fluidly painted
1621/22–1683 Amsterdam) Date: 1644 Medium: Oil on wood Dimensions: 17 x 13 1/
This work is a large fragment of one of three altarpieces El Greco was commissioned to paint in 1608 for the church of the Hospital of Saint John the Baptist (also called the Tavera Hospital in honor of its co-founder, Cardinal-Archbishop Juan de Tavera, 1472–1545), just outside the walls of Toledo
2 x 76 in. (222.3 x 193 cm); with added strips 88 1/2 x 78 1/2 in. (224.8 x 199.4
"Tilman Riemenschneider, Fruhe Werk," September 5–November 1, 1981.
"Masterpieces of Fifty Centuries," November 14, 1970–June 1, 1971.