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Attributed to Jacob Backer – Old Woman in an Armchair – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/435596

Like a good number of works formerly attributed to Rembrandt, this large canvas was included in catalogues of the artist’s work through Bauch’s corpus of 1966 and then rejected by Gerson (1968, 1969). In 1923, however, Van Dyke, no doubt responding to the frequent suggestion of Frans Hals’s influence on the painting, assigned it to that master or to the „Hals School
Stuttgart, 1906, p. 397, ill. p. 145. Adolf Rosenberg.

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El Greco (Domenikos Theotokopoulos) – The Vision of Saint John – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436576

This work is a large fragment of one of three altarpieces El Greco was commissioned to paint in 1608 for the church of the Hospital of Saint John the Baptist (also called the Tavera Hospital in honor of its co-founder, Cardinal-Archbishop Juan de Tavera, 1472–1545), just outside the walls of Toledo
Manuel B. Cossío. El Greco.

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Jan van Eyck – The Crucifixion; The Last Judgment – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436282

The Artist: For a biography of Jan van Eyck, see the Heilbrunn Timeline of Art History.The Paintings: In unusually tall, narrow paintings, the Crucifixion and Last Judgment emphasize the narrative features of these well-known biblical themes prophesied in Isaiah and related in the Gospels of Matthew, Mark, Luke, and John for the Crucifixion, and in Deuteronomy and the Book of Revelation for the Last Judgment
, fig. b.

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Foot-Combat Helm of Sir Giles Capel (1485–1556) – possibly British – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/21997

Sir Giles Capel, Rayne Hall, Essex, England (until d. 1556; bequeathed to All Saints Chapel); All Saints Chapel, Rayne Hall, Essex, England (1556–1840; removed by Parmenter); William Parmenter, Bocking, Essex, England (1840–about 1866; sold for 10 s, to Courtauld); Edith Courtauld (later Arendrup), London, England (about 1866–80; gift to de Cosson); Baron Charles Alexander de Cosson, London (1880–93; sold on April 17, 1893, for Fr
B. 19, pl. 7. Minet, William. "The Capells at Rayne, 1486–1622."

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Velázquez (Diego Rodríguez de Silva y Velázquez) – Juan de Pareja (ca. 1608–1670) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437869

The Background: Between 1649 and 1651, Velázquez travelled to Italy for the second and last time in his life. The main purpose of the trip was to buy paintings and sculptures for King Philip IV of Spain, and while he was in Rome, the painter also received the prestigious commission to portray Pope Innocent X (the canvas is now in the Galleria Doria Pamphilj, Rome)
B. Ponfredi sobre la pintura española].

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