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Antoine Watteau – The French Comedians – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437925

Watteau did not participate in public exhibitions, nor title his pictures, whose meaning is often difficult to fathom. This late work is clearly a theatrical subject, and as he is known to have made drawings of comic actors and quacks from an early age, he must have been interested in the theater throughout his short life
Paris, [1904], p. 166, ill. p. 15. Emile Dacier.

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The Harrowing of Hell – Austrian – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/472160

From the Passion of Christ window, choir of the castle chapel (the Schlosskapelle) at Ebreichsdorf, south of Vienna.; Lolowrat-Liebsteinsky, Ebreichsdorf (1843-73) ; Count Joseph Arco-Zinneberg, Ebreichsdorf (1873-1922) ; [ Duveen Brothers, London, Paris and New York] ; Mrs
Berlin: Akademische Verlagsgesellschaft Athenaion, 1913. p. 199.

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Saint Servatius Crushing a Dragon, with Saint Michael Weighing Souls below (from a series with The Virgin Mary and Five Standing Saints) – German – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/474426

From the north nave of the former Carmelite church at Boppard-am-Rhein in Rheinland-Pfalz (Rhein-Hunsrück-Kreis), near Koblenz, Germany.; Count Hermann Pückler, Muskau (from 1818) ; [ Frédéric Spitzer Austrian, Paris (from at least 1875–sold 1893)] ; his posthumous sale, Chevallier & Mannheim, Paris (April 17–June 16, 1893, no
Vitraux 7, p. 124, ill. in text.

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Attributed to the C Painter – Terracotta kylix: Siana cup (drinking cup) – Greek, Attic – Archaic – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/246931

Until 1899, collection of Henry Hoffmann (1823-1897), Paris; May 1899, purchased by Henri de Morgan at the Hoffmann sale at Hôtel Drouot, Paris (lot 78); 1899-1901, collection of Henri de Morgan (1854-1909), Paris; acquired in 1901, purchased at the de Morgan sale at the American Art Galleries, New York (lot 67)
Painter has chosen a later moment in the Troilos story than the Painter of London B

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