Dein Suchergebnis zum Thema: eins/</p/"<b

B[ryson]. B[urroughs]. "Principal Accessions."

, 1976, p. 71).

Boston: Museum of Fine Arts, 1940. no. 168, p. 53. Freeman, Margaret B.

Jean, Duke of Berry d. 1416 (1408/09–d. 1416; item no. 960 in 1413 inventory) ; Yolande, Queen of Sicily and Duchess of Anjou (1417–d.1443) ; Pierre-Gabriel Bourlier, baron d’Ailly (before 1879–sold by 1884) ; Baron Edmond James de Rothschild, Paris (by 1884–d
Freeman, Margaret B.

Palazzo Barberini, Rome, likely 1679-at least 1881 and probably 1890; E. Volpi, Florence, as early as 1890-1905; exported from Italy, July 1905 (dated customs stamp on reverse of panel); Oscar Huldschinsky, Berlin, from 1906-May 1928; Huldschinsky sale, Cassirer and Helbing, Berlin, May 10–11, 1928, no
B[attista]. Cavalcaselle.

Inscription: (central medallion (A), front, on scroll of Moses, center): SIC . ERIT . VITA . TVA . PENDENS / . ANE . N . CREDES . VITE . TVE (Thus your life will hang in the balance before [you], you will not be sure of your life [Deuteronomy 28:66])(central medallion (A), front, on upper left scroll): SICVT
Forsyth, William H., and Margaret B. Freeman.

Recent studies of Van Gogh’s canvas supports, undertaken by the Thread Count Automation Project in collaboration with the Van Gogh Museum, have used thread count and weave pattern to identify canvases cut from the same bolt
–B. de La Faille. "Unbekannte Bilder von Vincent van Gogh."

From the high altar of the Cistercian abbey, Lichtenthal, near Baden-Baden, Baden-Württemberg; Dutch or German Private Collection ; [ Sotheby’s, London (July 28, 1939, no. 103) ] ; [ John Hunt, Ireland (1939–sold 1952)]
Oud Holland 52 (1935). p. 29. Huth, Hans.

New York, 1995, p. 240, ill. p. 241. Catherine Dean. Klimt.

Worcester, Mass.: Worcester Art Museum, 1937. p. 42.