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Modern and Contemporary Art 3 of 20 Cornet-trompe in D 5 of 20 Bass saxhorn in B-flat
Beeson, Nora B., ed. Guide to The Metropolitan Museum of Art.
From the cloister of the royal abbey of Saint-Denis, France.; marquis de Migieu, Savigny-les-Beaune (about 1771?); vicomte de Vaulchier ; [ Dealer, Versailles (?)]; [ Alphonse Kann (French), Paris (sold 1920)]
B. Lippincott, 1950. p. 33, fig. 22. Comstock, Helen. "Connoisseur in America."
This group of five ivory panels are the reassembled elements of a „composite casket,“ so called by scholars because the narrative scenes that adorn them are vignettes from a variety of popular stories and chivalric romances
Sir Samuel Rush Meyrick, London and Goodrich (from at least 1835) [17.190.173a, b]
This is one of a very few works that may be attributed to Berlinghiero based on analogies of style with a Crucifix in the Museo di Villa Guinigi, Lucca, that is signed „Berlingherius me pinxit.“ The painter—a key figure in the history of Tuscan painting—was from Volterra and is first documented in 1228 together with his two sons Barone and Bonaventura, both of whom, together with a third son, Marco, also became painters
Edward B. Garrison.
Rorimer, James J., and Margaret B. Freeman.
From the former choir screen of the Cathedral of Strasbourg; C. Joret, Paris ; [ Henri Daguerre, Paris ] ; J. H. Fitzhenry (until d. 1913) ; his sale, Christie, Manson and Woods (November 18-19, 24-26, 1913) ; [ Alphonse Kann French, Paris (1/2 interest sold 1933)] ; [ Demotte Inc
P. Dutton, 1970. p. 258. Boccador, Jacqueline.
For over a century scholars have considered whether or not this sympathetic portrait of an old man is a self-portrait by El Greco. Lafond (1906) described the seemingly Romantic notion as at best a plausible hypothesis, and a number of more recent scholars (for example, Wethey 1962) have rejected the idea, mainly on the basis of comparisons with presumed self-portraits inserted by El Greco into several of his major religious pictures (see also Christiansen 2003)
Manuel B. CossÃo. El Greco.
Emile Gavet, Paris (until 1897) ; his sale, Galerie Georges Petit, Paris (May 9–June 9, 1897, no. 327) ; Paul Casimir Garnier, Paris (1897–1916) ; his sale, Hôtel Drouot, Paris (December 18–23, 1916, no
Wasmuth, 1922. p. 8, pl. 45c. Goldschmidt, Adolph.
