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Emaciated Horse and Rider – The Metropolitan Museum of Art

https://www.metmuseum.org/collection/the-collection-online/search/450538

Rider on a NagA number of drawings from the Deccani kingdoms that incorporate marbling are known. A whole group of them illustrate nags; among the Sufis, nags are thought metaphorically to embody the body’s gross desires and therefore are properly shown starved and beaten
Tehran: Bunyad-i Mawqufat-i Duktur Mahmud Afshar, 1994, p. 274.

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Haremhab as a Scribe of the King – New Kingdom – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/544692?exhibitionId=%7B84492ae0-e217-43c5-85c0-e1eb45272036%7D&oid=544692&pkgids=77&pg=1&rpp=4&pos=1&ft=*&locale=en

Base, to the right(1) An „offering that the King gives“ of Thoth, the lord of hieroglyphs, lord of Hermopolis, weigher of truth, conveyor of Re in the night bark. May you grant response to a matter in its exactitude
James P.

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Ostracon with Pharaoh Spearing a Lion and a Royal Hymn on its Back – New Kingdom, Ramesside – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/544076

Excavated by Lord Carnarvon and Howard Carter, 1920. Acquired by Lord Carnarvon in the division of finds; Carnarvon Collection, 1920–1926. Purchased by the Museum from Lady Carnarvon, 1926.
.: The Metropolitan Museum of Art, p. 390, fig. 245. Arnold, Dorothea 1995.

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