Meintest du ein p b?
Inscription: Signed (lower right, in black ink): Grosz; inscribed (lower left, in graphite): Der Dollar 300 / Der Dollar 300 / K [?] 14 39; inscribed (lower center, in pencil): II; inscribed (lower right, in graphite): M [?] 28L [?]
Credit Line: Purchase, Stephen and Nan Swid Gift, 2019 Object Number: 2019.239a, b
This is one of the earliest known works by Berchem, and is generally consistent with Haarlem landscape painting of the 1640s. Though the painting has awkward passages, especially the female figure and the cow, the trees and sky are fluidly painted
Repertorium für Kunstwissenschaft 11 (1888), p. 76. C[ornelis].
Paris: Pavillon de Marsan, Palais du Louvre, 1904. no. 260, p. 100.
In Metropolitan Museum Journal, 8, c.f. p. 40, n. 36.
London: Burlington Fine Arts Club, p. 81 no. 40 pl. 6.
Augustin, p. 83. Hayes, William C. 1953.
Richter, Gisela M. A. and Lindsley F. Hall. 1936. Red-Figured Athenian Vases in the Metropolitan Museum of Art. no. 81, pp. 111–12, pls. 83, 84, 173, New Haven: Yale University Press.Richter, Gisela M
Attic Red-Figured Vases: A Survey. p. 92, fig. 32d, New Haven: Yale University Press
New York: The Metropolitan Museum of Art, p. 26, fig. 38.
The low relief carving on this ivory panel represents the progress of the hunt in three scenes. On the left, the chase begins as a hunter on a galloping horse blows his horn while his dog runs beside him and　court ladies watch from the parapets of the castle
Techener, 1840. p. 30, pl. XXIII. Hagen, Frederik.
