Meintest du ein p b?
This rectangular ivory panel once formed the cover of a writing tablet. On one side of the panel, a young woman and a man with a hawk kneel before the winged god Cupid (usually called Amor or The God of Love in contemporary texts)
Ivories-Elephant Credit Line: The Cloisters Collection, 2003 Object Number: 2003.131.3a, b
The Artist: Bernardo Daddi was one of the most important painters of the early Trecento in Florence. He began his activity there in the 1320s during the height of Giotto’s reign over Florentine painting
New York, 1954, p. 26. Klara Steinweg. "Contributo a due predelle di B.
The Artist: One of the great figures of seventeenth-century painting, Giovanni Francesco Barbieri was born in the town of Cento, not far from Ferrara. His nickname, Guercino—literally, “the little crossed-eyed�—derives from an eye defect evident in portraits of the artist
B. 165²; this passage published in Mahon 1968, p. 83] , lists in the "Casa del Conte
cm); D. 12 13/16 in. (32.5 cm); Wt. 8 lb. 2.15 oz. (3689 g); additional helmet (b)
Revue des Études Grecques, 49: p. 225, pl. 3, 2. Richter, Gisela M.
Marking: On bell – engraved inscription in Italics: "No 12960 / Saxophone alto mi b
Said to be from Chaian, Eupatoria district, Crimea, Russian Empire (now Ukraine) (Shcheglov and Katz 1991) In the 1880s, found in the village of Chaian, Eupatoria district, Crimea, by a local peasant; 1880s-90s, said to have been acquired by Islam-Ali, the father of a certain Abdulla-Islam-Ali-Oglu, purchased from a local peasant; with Islam-Ali, Eupatoria district, Crimea; 1914, offered for sale to the Russian Archaeological Institute in Istanbul by an anonymous dealer; [before 1918, acquired by Schepsel Gokhman (Hochmann), probably purchased from an anonymous dealer]; [with Schepsel Gokhman (Hochmann), Odessa (later Berlin); [before 1927, acquired by Kurt W
Bulletin of the Bachstitz Gallery. p. 36. Richter, Gisela M. A. 1931.
Two men stand at a precipice beside towering spruce trees. They look across a gorge toward a majestic waterfall, having paused together to contemplate this untamed scenery at sunset. The figure on the left, shown wearing a top hat and overcoat, is most likely a self-portrait by Dahl
B 1652; see n. 6); and a ricordo, which is signed, dated, and inscribed “1824.
New York, p. 212. Aldred, Cyril 1980.
