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Attributed to the C Painter – Terracotta kylix: Siana cup (drinking cup) – Greek, Attic – Archaic – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/246931
Until 1899, collection of Henry Hoffmann (1823-1897), Paris; May 1899, purchased by Henri de Morgan at the Hoffmann sale at Hôtel Drouot, Paris (lot 78); 1899-1901, collection of Henri de Morgan (1854-1909), Paris; acquired in 1901, purchased at the de Morgan sale at the American Art Galleries, New York (lot 67)
Painter has chosen a later moment in the Troilos story than the Painter of London B
Panel with the Annunciation – Austrian – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/471190
Glass-Stained Credit Line: The Cloisters Collection, 1936 Object Number: 36.39.1a, b
Marble funerary altar of Cominia Tyche – Roman – Flavian or Trajanic – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/253569
Inscription: „To the spirits of the dead. To the most saintly Cominia Tyche, his most chaste and loving wife, [from] Lucius Annius Festus. [She] died at the age of twenty-seven years, eleven months, twenty-eight days
The Art Bulletin, 14(1): p. 33. Richter, Gisela M. A. 1938.
Pablo Picasso – Nude in an Armchair – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/490587?oid=490587&locale=en
[Ambroise Vollard, Paris, sold by winter 1924 to Reber]; Dr. Gottlieb Friedrich Reber, Lugano and Lausanne (1924–37; sold in November 1937 to Cooper); Douglas Cooper, London (1937–d. 1984; inv. no. 65; estate no. DC 35/34; his bequest to McCarty-Cooper); his partner and adopted son, William McCarty-Cooper, London (1984–86; sold in November 1986 to Lauder); Leonard A. Lauder, New York (1986–2013; transferred on April 8, 2013 to the Leonard A. Lauder Cubist Trust); The Leonard A. Lauder Cubist Trust, New York (2013–21; gift to MMA)
Milan, 1972, p. 102, no. 291, ill. p. 101, as "Nudo femminile in poltrona".
Kneeling bull holding a spouted vessel – Proto-Elamite – Proto-Elamite – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/329074
New York: The Metropolitan Museum of Art, no. 3, p. 77.
Michelino da Besozzo (Michelino de Mulinari) – The Marriage of the Virgin – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/437083
Beneath a curiously distended double arch of the nave of a church illuminated with bottle glass windows, the Virgin demurely extends her hand, on which a bearded Joseph places a ring rendered in raised, gilded pastiglia—the same technique used for the collar of the officiating priest and for the haloes decorated with pseudo-Kufic lettering
Art News 35 (May 1, 1937), p. 156, ill. p. 42. Charles Sterling.
Crib of the Infant Jesus – South Netherlandish – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/465966
From the Grand Béguinage of Louvain, Belgium; Jules Frésart, Liège (1882–sold by 1892, to Figdor); Dr. Albert Figdor, Vienna (by 1892–until d. 1927); his posthumous sale, Paul Cassirer, Berlin (September 29–30, 1930, no
Grenoble: B. Arthaud, 1934. p. 196, ill. p. 200. Borchgrave d’Altena, J. de.
Albrecht Dürer – Salvator Mundi – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436243
Along with the Virgin and Child with Saint Anne (The Met 14.40.633), the Salvator Mundi (Savior of the World) is one of two exceptional paintings by Albrecht Dürer in the collection of The Metropolitan Museum
American Art News 20 (December 3, 1921), p. 1, ill. p. 6. Pierre du Colombier.
Antonio Vivarini – Saint Peter Martyr Healing the Leg of a Young Man – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/437909
The Artist: Antonio Vivarini was a member of a family documented on the island of Murano (Venice) and Padua from the second half of the fourteenth century. His father, Michele, and the founder of the family, „Vivarinus vitruarius,“ were both glassmakers
Art in America 26 (April 1938), p. 92, ill. p. 89. Harry B. Wehle.
