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Bernardo Daddi – Saint Reparata Being Prepared for Execution – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436070
The Artist: Bernardo Daddi was one of the most important painters of the early Trecento in Florence. He began his activity there in the 1320s during the height of Giotto’s reign over Florentine painting
New York, 1954, p. 26. Klara Steinweg. "Contributo a due predelle di B.
Cover of a Writing Tablet – French – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/475489
This rectangular ivory panel once formed the cover of a writing tablet. On one side of the panel, a young woman and a man with a hawk kneel before the winged god Cupid (usually called Amor or The God of Love in contemporary texts)
Ivories-Elephant Credit Line: The Cloisters Collection, 2003 Object Number: 2003.131.3a, b
Attributed to the Orchard Painter – Terracotta column-krater (bowl for mixing wine and water) – Greek, Attic – Classical – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/253427
Revue des Études Grecques, 49: p. 225, pl. 3, 2. Richter, Gisela M.
Guercino (Giovanni Francesco Barbieri) – Samson Captured by the Philistines – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436603
The Artist: One of the great figures of seventeenth-century painting, Giovanni Francesco Barbieri was born in the town of Cento, not far from Ferrara. His nickname, Guercino—literally, “the little crossed-eyed�—derives from an eye defect evident in portraits of the artist
B. 165²; this passage published in Mahon 1968, p. 83] , lists in the "Casa del Conte
Armor – Italian, probably Milan – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/22276
cm); D. 12 13/16 in. (32.5 cm); Wt. 8 lb. 2.15 oz. (3689 g); additional helmet (b)
Adolphe (Antoine Joseph) Sax – Alto saxophone in E-flat – French – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/503909?exhibitionId=%7BA427663C-7533-4867-9794-2A5FAC26ECA4%7D&oid=503909&pkgids=280&pg=1&rpp=30&pos=13&ft=*&locale=en
Marking: On bell – engraved inscription in Italics: "No 12960 / Saxophone alto mi b
Statuette of Amun – Third Intermediate Period – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/544874
New York, p. 212. Aldred, Cyril 1980.
Sheet-gold decoration for a sword scabbard – Greek or Scythian – Late Classical or Hellenistic – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/253056
Said to be from Chaian, Eupatoria district, Crimea, Russian Empire (now Ukraine) (Shcheglov and Katz 1991) In the 1880s, found in the village of Chaian, Eupatoria district, Crimea, by a local peasant; 1880s-90s, said to have been acquired by Islam-Ali, the father of a certain Abdulla-Islam-Ali-Oglu, purchased from a local peasant; with Islam-Ali, Eupatoria district, Crimea; 1914, offered for sale to the Russian Archaeological Institute in Istanbul by an anonymous dealer; [before 1918, acquired by Schepsel Gokhman (Hochmann), probably purchased from an anonymous dealer]; [with Schepsel Gokhman (Hochmann), Odessa (later Berlin); [before 1927, acquired by Kurt W
Bulletin of the Bachstitz Gallery. p. 36. Richter, Gisela M. A. 1931.
Johan Christian Dahl – Two Men before a Waterfall at Sunset – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/439344
Two men stand at a precipice beside towering spruce trees. They look across a gorge toward a majestic waterfall, having paused together to contemplate this untamed scenery at sunset. The figure on the left, shown wearing a top hat and overcoat, is most likely a self-portrait by Dahl
B 1652; see n. 6); and a ricordo, which is signed, dated, and inscribed “1824.