The Artist: Bernardo Daddi was one of the most important painters of the early Trecento in Florence. He began his activity there in the 1320s during the height of Giotto’s reign over Florentine painting
"Eine ‚verschollene‘ Florentiner Predellentafel in Dresden."
The Artist: For a biography of Petrus Christus, see the Heilbrunn Timeline of Art History.The Subject and Function of the Painting: After Christ’s crucifixion, his corpse was taken down from the cross and prepared for burial
"Ein Frühwerk des Geertgen tot Sint Jans und die holländische Malerei des XV.
The Artist: Together with Maso di Banco (for which see 43.98.13), Taddeo Gaddi was Giotto’s most celebrated pupil and assistant
Taddeo Gaddi, ein Florentiner Maler des Trecento. Stettin, 1910, p. 16.
the convent of Sant’Antonio da Padova, Perugia (until 1663; sold to Christina); Christina, former Queen of Sweden, Rome (1663–d. 1689; unnum. inv., ca. 1689); Cardinal Decio Azzolino, Rome (d. 1689); his nephew, marchese Pompeo Azzolino, Rome (1689–96; sold to Odescalchi); principe Livio Odescalchi, duca di Bracciano, Rome (1696–d
"Zu einem jetzt entdeckten hl.
"Das rote Atelier" des Henri Matisse—ein Bild und seine Verwandten.
Cézanne und sein Kreis: Ein Beitrag zur Entwicklungsgeschichte. 3rd ed. [1st ed.
This work is a large fragment of one of three altarpieces El Greco was commissioned to paint in 1608 for the church of the Hospital of Saint John the Baptist (also called the Tavera Hospital in honor of its co-founder, Cardinal-Archbishop Juan de Tavera, 1472–1545), just outside the walls of Toledo
El Greco: Eine Enführung in das Leben und Wirken des Domenico Theotocopuli gennant
Die Galerie Miethke: Eine Kunsthandlung im Zentrum der Moderne.
Corot und Courbet: Ein Beitrag zur Entwicklungsgeschichte der Modernen Malerei.
Vincent van Gogh: Eine Psychographie. Bergen, Germany, 1958, p. 138, fig. 28.
