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Attributed to Jacob Backer – Old Woman in an Armchair – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/435596

Like a good number of works formerly attributed to Rembrandt, this large canvas was included in catalogues of the artist’s work through Bauch’s corpus of 1966 and then rejected by Gerson (1968, 1969). In 1923, however, Van Dyke, no doubt responding to the frequent suggestion of Frans Hals’s influence on the painting, assigned it to that master or to the „Hals School
between 1636 and the early 1640s in Bauch’s monograph (see Jakob Adriaensz Backer, ein

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Berlinghiero – Madonna and Child – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/435658

This is one of a very few works that may be attributed to Berlinghiero based on analogies of style with a Crucifix in the Museo di Villa Guinigi, Lucca, that is signed „Berlingherius me pinxit.“ The painter—a key figure in the history of Tuscan painting—was from Volterra and is first documented in 1228 together with his two sons Barone and Bonaventura, both of whom, together with a third son, Marco, also became painters
"Ein toskanisches Madonnenbild um 1260."

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Antoine Watteau – The French Comedians – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437925

Watteau did not participate in public exhibitions, nor title his pictures, whose meaning is often difficult to fathom. This late work is clearly a theatrical subject, and as he is known to have made drawings of comic actors and quacks from an early age, he must have been interested in the theater throughout his short life
Berlin, 1786, vol. 3, p. 1145 n. 2, refers to it as "Vorstellung eines Trauerspiels

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The Fieschi Morgan Staurotheke – Byzantine – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/472562

Inscription: Inscribed in Greek: [On lid] Here is your son…Here is your Mother (on either side of Christ’s head); Jesus; Mother of God; John; [on lid moving clockwise from upper left] Saint Demetrios; Saint Eustathios; Saint Lawrence; Luke; Mark; Thomas; James; Saint Damianos; Saint Kosmas; Saint Gregory the Miracle-Worker; Bartholomew; Matthew; Jude; Simon; [on side moving clockwise from upper left] Saint Anastasios; Saint Nicholas; Saint Platon; Saint Theodore; Saint Prokopios; Saint George; Saint Merkourios; Saint Eustratios; Saint Panteleimon; Saint Andrew; Saint John; Saint Paul; Saint Peter; [inside lid] Hail, full of grace!; The Nativity; Here is your son
Die ältesten Darstellungen der Hadesfahrt Christi, des Evangelium Nikodemi und ein

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The Limbourg Brothers – The Belles Heures of Jean de France, duc de Berry – French – The Metropolitan Museum of Art

https://www.metmuseum.org/collection/the-collection-online/search/470306

Jean, Duke of Berry d. 1416 (1408/09–d. 1416; item no. 960 in 1413 inventory) ; Yolande, Queen of Sicily and Duchess of Anjou (1417–d.1443) ; Pierre-Gabriel Bourlier, baron d’Ailly (before 1879–sold by 1884) ; Baron Edmond James de Rothschild, Paris (by 1884–d
"Das Metropolitan erwarb ein Studenbuch des Duc de Berry."

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The Limbourg Brothers – The Belles Heures of Jean de France, duc de Berry – French – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/470306

Jean, Duke of Berry d. 1416 (1408/09–d. 1416; item no. 960 in 1413 inventory) ; Yolande, Queen of Sicily and Duchess of Anjou (1417–d.1443) ; Pierre-Gabriel Bourlier, baron d’Ailly (before 1879–sold by 1884) ; Baron Edmond James de Rothschild, Paris (by 1884–d
"Das Metropolitan erwarb ein Studenbuch des Duc de Berry."

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