"The Cloisters: Ein Museum für mittelalterliche Kunst in New York."
"The Cloisters: Ein Museum für mittelalterliche Kunst in New York."
The low relief carving on this ivory panel represents the progress of the hunt in three scenes. On the left, the chase begins as a hunter on a galloping horse blows his horn while his dog runs beside him and　court ladies watch from the parapets of the castle
"Ein Elfenbeinschnitzwerk in den fürstl.
Techne und Erfindung in der klassischen Malerei : eine terminologische Untersuchung
Inscription: (on each corner and in center): A [image of a knot] E [reversed] (unidentified)(on red horn): W [backwards E] D H N O H N M E H O M (too fragmentary for interpretation)
"The Cloisters: Ein Museum für mittelalterliche Kunst in New York."
Inscription: (On scroll): . Ave . / . gracia . / . ple / na . (Hail [Mary] full of grace)Marking: Arms [on shield held by two angels, center top]: Vilanova of Castile, Catalonia, etc
Europäische Wandteppiche: Ein Handbuch für Sammler und Liebhaber.
Corot und Courbet: Ein Beitrag zur Entwicklungsgeschichte der Modernen Malerei.
The Artist: For a biography of Jan van Eyck, see the Heilbrunn Timeline of Art History.The Paintings: In unusually tall, narrow paintings, the Crucifixion and Last Judgment emphasize the narrative features of these well-known biblical themes prophesied in Isaiah and related in the Gospels of Matthew, Mark, Luke, and John for the Crucifixion, and in Deuteronomy and the Book of Revelation for the Last Judgment
"Jan van Eycks Bildnis eines Burgundischen Kammerherrn."
From the cloister of the royal abbey of Saint-Denis, France.; marquis de Migieu, Savigny-les-Beaune (about 1771?); vicomte de Vaulchier ; [ Dealer, Versailles (?)]; [ Alphonse Kann (French), Paris (sold 1920)]
Die Anfänge des monumentalen Stiles im Mittelalter: Eine Untersuchung über die
"Zu einem Gemälde von Henri Matisse."
